As a horror fan, I’ve always been fascinated by the strange and surreal. Weird horror manga don’t just scare you, they warp your sense of reality. Whether through bizarre art, dreamlike narratives, or grotesque absurdity, these stories unsettle by defying logic itself.
This list is dedicated to the favorite weird horror manga I’ve ever read. If you’re looking for general horror manga recommendations, check out my list of the best horror manga.
Weird horror manga blend genres and break rules. They feature body horror, existential dread, and apocalyptic hallucinations. Yet they can also be black comedies, feature sci-fi absurdism, and moments of disturbing beauty. Some lean into chaos and nonsense, others into philosophical breakdowns or eerie quiet.
What ties them all together isn’t just horror, it’s disorientation. These are stories that twist your perception and leave you uncertain of what you just experienced.
From grotesque sci-fi epics to psychological spirals and meta-horror experiments, every manga here left me feeling profoundly weirded out.
Mild spoiler warning: I keep details vague, but it’s hard to describe the weirdness without a few specifics.
Here’s my curated list of my favorite weird horror manga (last updated: July 2025).
Kazuo Umezu is one of the most influential manga artists of all time, but nothing in his catalogue is as strange or deranged as Fourteen. It’s not just a weird horror manga, it’s one of the most surreal and nonsensical apocalypse stories I’ve ever read.
The setup alone is wild: a hyper-intelligent mutant named Chicken George is born in a chicken production factory. He soon declares vengeance on humanity for its cruelty toward animals and nature. This sounds weird enough, but it barely scratches the surface.
Fourteen feature green babies, all plant life on the planet being replaced by props, a T-Rex-shaped spaceship, a doomsday scenario, the richest person in the world turning into an eldritch abomination, and even a random alien invasion. And somehow, it’s all played completely straight. There’s no satire here, just pure, unfiltered ridiculousness presented with total sincerity.
The art is old-school and ugly in a charming way. Umezu’s dramatic expressions and stiff layouts only make the madness more mesmerizing. It feels like watching a disaster in slow motion that keeps getting bigger, weirder, and louder with every chapter.
It’s ridiculous, chaotic, but also a blast to read. Fourteen is the type of horror that’s so bizarre it shouldn’t exist, and yet, somehow, you can’t look away.
Jagaaan is a bizarre, grotesque, and unhinged horror-action series about a young cop who gains the power to shoot beams from his fingers. That alone would be weird enough, but this is a manga written by Muneyuki Kaneshiro, so it gets much weirder.
The manga begins with a rain of frogs falling over Tokyo, infecting people with repressed desires. Those who give into them become hideous monsters termed fractured you humans. Others, like our protagonist Jagasaki, become twisted anti-heroes who fight them. Jagan is equal parts body horror and psychological breakdown, with characters transforming into monstrous caricatures of their own lust, rage, or despair.
Visually, the manga is pure chaos. We bear witness to over-exaggerated and freakish expressions. Bodies mutate in increasingly deranged ways. There’s nudity, gore, gender-swapping, surreal absurdity, but also some more controversial themes that might disturb some readers.
While the manga can occasionally lean into edgy or deranged territory, it never feels cheap. The weirdness is the point. Every fight, every transformation, is driven by desire spiraling out of control.
Jagasaki himself is one of the most twisted, yet strangely relatable protagonists in recent memory. He’s bitter, frustrated with his job, and morally questionable. Yet he grows throughout the story.
Equal parts disturbing, hilarious, and brutally entertaining, Jagaaan is the type of action horror manga that plunges deep into the absurd. It’s a depraved, weird, and wildly fun descent into madness.
Another manga written by Muneyuki Kaneshiro and illustrated by Akeji Fujimura, Kamisama no Iutoori and its sequel are two of the weirdest, and most entertaining, death game manga out there.
It begins with a simple but shocking setup: one morning the head of Shun Takahata’s teacher suddenly explodes and a Daruma doll challenges the class to play a twisted version of a children’s game. Anyone who fails dies gruesomely.
From here on out, things spiral into a series of deadly games based on similar childhood activities. Yet everything is rendered surreal, violent, and absurd. Kamimaro, who’s overseeing the games, as well as his various assistants, act cheery and playful, all while students are being murdered and torn to pieces. It’s a masterclass in tonal whiplash.
Yet what makes the manga stand out isn’t just the carnage, it’s the deranged characters. Ushimitsu and especially Amaya are amongst the most deranged and unhinged characters ever seen, and steal the show with their sheer unpredictability and madness. They are the embodiment of signature weirdness Kaneshiro brings to all his characters. Especially Ushimitsu stands out. While he starts out as similarly unhinged as Amaya, his character develops tremendously over the course of the series, becoming one of its most nuanced, yet still unhinged, protagonists.
The sequel, Kamisama no Iutoori Ni, dials everything up with better art, higher stakes and even weirder games. It eventually ties back to the first series, bringing the characters together for final games.
Weird, bloody, and absolutely addictive, Kamisama no Iutoori and its sequel are amongst the craziest death game manga out there, and amongst my personal favorites.
Set in a dystopian Japan where retaliatory killings have been legalized, Freesia sounds like a violent revenge thriller full of bloody shoot-outs. And yet, it couldn’t be more different. Freesia is much weirder, and much more unsettling than it appears, but not so much because of its content, but how it’s presented to us. We witness the entire story through the fractured mind of a man who no longer sees the world as it is.
Our protagonist, Kano, works for an agency that carries out retaliatory killings. He’s far from normal though, he suffers from schizophrenia, hallucinations, and memory loss. Freesia doesn’t just show us how he behaves, but it shows us the world he sees. This world is surreal, paranoid and disjointed, and you can never be sure what you see is real and what isn’t.
Yet Kano isn’t the only character who’s suffering from mental problems. Nearly every major character in Freesia is psychologically broken in some way, and their delusions bleed into the story itself. The standout here is Mizuguchi, who appears almost psychotic, and grows only more unhinged the longer the story continues.
Freesia is the type of horror that doesn’t disturb you with jump scares or gore, but by the sinking feeling that reality itself is unreliable. What seems like a grounded story about justice gone wrong slowly morphs into a dark, paranoid fever dream full of psychological breakdowns and emotional numbness.
It’s confusing, disorienting, at times even irritating, but intentionally so. Freesia is a brutal, brilliant portrayal of mental illness that traps you inside the mind of its most unstable character. It’s an experience unlike any other, and amongst the weirdest horror manga I ever read.
Keep on Vibrating is the second weird horror manga by Jiro Matsumoto on this list, and it’s far more unhinged than Freesia.
The manga doesn’t follow a single narrative. Instead, it’s a collection of short stories, some loosely connected, others completely standalone. What unites them is their sheer, unapologetic descent into surrealism, explicit violence, and sexual delirium.
Right from the first chapter, you know what you’re in for. It’s a fever dream of sex and gore that unfolds with little logic and even less explanation. As Keep on Vibrating continues, we follow characters who stumble through bleak, dystopian landscape while delivering deadpan, mundane dialogue. It’s disturbing, absurd, and completely unhinged all at the same time.
Matsumoto’s scratchy, gritty art style perfectly matches the dreamlike disorientation of these stories. While some chapters are more restrained, others plunge headfirst into graphic territory, testing the line between surrealism and exploitation.
There are moments of brilliance scattered throughout, flashes of emotional clarity or existential horror, but they’re buried under layers of narrative chaos. You’re not meant to understand. You’re meant to feel the discomfort, the absurdity and the quiet madness.
Brutally explicit, deeply surreal, and defiantly adult, Keep on Vibrating is one of the weirdest horror manga you’ll ever read. It’s not for everyone, but it’s a work that masterfully portrays psychological horror through the lense of sexual derangement and raw artistic instinct.
Genres: Horror, Psychological, Drama, Erotica
Status: Finished (Shonen)
11. BIBLOMANIA
@ Oobaru, Macchiro – BIBLIOMANIA
BIBLIOMANIA is one of the most visually striking and weird horror manga ever created. It’s a fever dream disguised as a story, and one of the most bizarre reading experiences I’ve ever had.
The plot follows Alice, a young girl who wakes up in Room 431 of a decaying manor. A talking serpent warns her not to leave or her body will rot. She ignores it and thus begins a surreal descent into a shifting mansion where every room feels like its own self-contained nightmare. She encounters deranged scientists, birdlike monsters, caped heros, and other inexplicable horrors, all while her body slowly mutates and changes into something monstrous.
At under 100 pages, BIBLOMANIA moves fast, but it’s never coherent int he traditional sense. The story feels more like an excuse to showcase the astonishingly detailed, grotesque imagery. It’s otherworldly and elegant at the same time. Alice’s cutesy, whimsical design only heightens the unease, clashing jarringly with the disturbing world around her.
@ Oobaru, Macchiro – BIBLIOMANIA
There’s clear inspiration from Alice in Wonderland, but BIBLIOMANIA is far less about the whimsy and far more about bodily destruction, loss of self, and pure artistic madness. The deeper Alice ventures, the less human she becomes.
BIBLIOMANIA’s bigger story, revealed in its final chapters, is even stranger than Alice’s journey through the mansion. Words can’t do justice how weird this manga truly is. It has to be experienced to be believed.
It’s a short, strange, and intensely visual. If you’re looking for something, that’s both elegant and horrifying, where the weirdness isn’t just in the story, but in every panel, BIBLIOMENIA is a must-read.
Genres: Horror, Fantasy, Drama, Psychological
Status: Finished (Seinen)
10. Wakusei Closet
@ Tsubana – Wakusei Closet
Wakusei Closet begins like a dream but quickly spirals into a nightmare. Every time Aimi falls asleep, she finds herself transport to an alien, otherworldly planet. There, she meets Flare, another girl trapped in this strange place. Together, the two of them try to make sense of the rules, but also the monsters that govern this surreal world.
At first, the story feels almost whimsical. The art style is soft and rounded, the girls are cute, and the landscapes are beautiful. Yet soon after, one of Aimi’s classmates is devoured by a snake-like creature in the real world and reborn in the dream as a grotesque, Junji Ito-style abomination. From that point on, Wakusei Closet fully embraces body horror, cosmic terror, and a creeping sense of despair.
This is horror through contrast. The moe character design and warm tones clash violently with the story’s darker elements. We witness tentacled monsters, parasitic infections and surreal mutations. The manga constantly keeps you off-balance with tonal whiplash, combining heartfelt emotion with pure nightmare fuel.
@ Tsubana – Wakusei Closet
Just when you think you’ve finally unraveled Wakusei Closet, the manga pulls off one of the most mind-bending twists I’ve ever read in a horror manga. It reframes everything and throws everything you thought you know right out the window.
Dreamlike, haunting and utterly strange, Wakusei Closet is a beautiful and disturbing story that deserves more attention and a truly weird horror manga.
Homunculus begins with a weird medical experiment, and ends with something far darker and stranger than you could ever expect. Created by Hideo Yamamoto, this manga is part horror, part psychological deep-dive, and part surreal fever dream.
It starts with Susumu Nakoshi, a homeless man living out of his car. He agrees to participate in an experimental trepanation procedure, allowing a hole to be drilled into his skull in the name of consciousness research. What follows is a complete unraveling of his reality.
After the surgery, Nakoshi begins to see distorted, grotesque versions of people with his left eye. These are manifestation of their deepest traumas and insecurities, which come to be known as homunculi. As he interacts with them, the manga blurs the line between perception and delusion. Are these visions real? Or is Nakoshi descending into madness?
What makes Homunculus so weird isn’t just the body horror or the psychological themes. It’s the way the story evolves. What begins as a grounded, if strange, experiment quickly turns inward, becoming a disorienting and deeply uncomfortable character study. The narrative becomes unpredictable, fragmented, and disturbing in both visual and thematic ways.
Yamamoto also doesn’t shy away from explicit scenes. Some of them are jarringly bizarre, others viscerally disturbing. Yet they all serve a purpose, digging into suppressed identity, shame and human frailty.
Homunculus is an uncompromising work of surreal psychological horror and one of the most unique, unsettling and weird horror manga I ever read.
Genres: Horror, Psychological, Philosophical, Drama
Q Hayashida’s Dorohedoro is one of the weirdest horror manga ever created, but also one of the best. It’s violent, grim, surreal and yet somehow cheerful at the same time. Few manga can swing between brutality and absurdist comedy with such chaotic energy.
The story follows Kaiman, an amnesiac man with a reptilian head who lives in Hole, a derelict city constantly invaded by sorcerers to test their powers on the local population. These experiments often leave people transformed, disfigured, or dead. Kaiman believes a sorcerer caused his condition, and he hunts them down relentlessly to uncover his identity.
This setup is already strange enough, but Dorohedoro quickly evolves into something far weirder. As the story unfolds, it mutates from a revenge mystery into a reality-warping epic full of conspiracies, cosmic magic, and body horror that spirals into outright carnage.
What makes Dorohedoro so distinct is the tonal whiplash. It’s horrifying, hilarious, and emotionally rich, often at the same time. Heads get crushed, bodies mutate, limbs fly, but it’s all rendered in this strangely humorous way. One moment you’re watching a massacre, in the next a character throws out a deadpan joke that makes you burst out laughing.
The visuals are jaw-droopingly detailed and completely original. Hayashida’s art style mixes grimy decay with vibrant energy, and her character design ranges from adorable to absolutely monstrous. The Sorcerer’s World stands out especially. It feels like a surreal nightmare-fairytale hybrid, filled with outlandish fashion and grotesque creatures.
Dorohedoro is a surreal masterpiece. It’s a disturbing, funny, and a deeply weird horror manga that’s unlike anything I read before.
Genres: Horror, Fantasy, Supernatural, Mystery, Slice of Life
Fire Punch is pure tonal chaos. It’s bleak and brutal, but also an extremely weird horror manga. What starts out as a revenge story soaked in misery gradually transforms into a self-aware meta-satire before ending in one of the strangest final chapters I’ve ever read.
The setup is disturbing: the world has become an endless frozen wasteland after the arrival of the Ice Witch. Agni and his sister, both blessed with regenerative powers. They live in a small community, but their peace ends when army commander Doma incinerates the village with his eternal flames. Agni survives, but is now locked in a state of permanent regenerating immolation. In agony but unkillable, he becomes a walking inferno bent on revenge.
So far, it’s an edgy post-apocalyptic horror story dripping with body horror, cannibalism, and despair. Then comes Togata, a movie obsessed immortal who decides to make a film out of Agni’s life. From this point on, Fire Punch takes a sudden turn into absurdity.
The manga becomes self-aware, poking fun at its own plot points, subverting clichés, and even breaking the fourth wall. It’s part satire, part anti-shonen deconstruction, and part in-joke. It’s the weirdest tonal whiplash I ever encountered in manga.
Fujimoto’s sketchy, cinematic art style reinforces the dissonance further. Wide panels showcase desolate wastelands, only interrupted by surreal events, sudden gore, or absurd gags. The story constantly shifts, from horror to dark comedy to philosophical musings. By the time you reach the end, it’s almost unrecognizable from where it started.
Fire Punch is disturbing, nihilistic, meta, and utterly bizarre. It’s a surreal fever dream of contradictions, and that’s exactly why it belongs on a list of weird horror manga.
Franken Fran is medical horror at its most unhinged. Created by Katsuhisa Kigitsu, this episodic manga stars Fran, a stitched-up girl created by a legendary surgeon. After he vanishes, it’s up to her to carry on his legacy through a never-ending series of grotesque operations.
Each chapter is its own bizarre little nightmare. Someone comes to Fran with a problem, be it illness, deformity or a desperate wish for change, and she offers a solution. The results, however, are rarely what they expected. Whether it’s turning a person into a bug, giving someone a perfectly cloned body, or rearranging organs in the name of beauty, Fran always delivers, just not the way the customers want.
What makes Franken Fran so weird isn’t just the extreme body horror, though there’s plenty of that. Kigitsu depicts surgeries in graphic detail: skulls are opened, flesh is sliced, skin is peeled, and intestines are exposed. What truly sets it apart is the tonal whiplash.
Fran herself is cheerful, energetic, well-meaning, and completely unfazed by the horror she causes. One moment the manga is disturbingly heartfelt, the next a satire of modern vanity and scientific ambition before plunging you in the straight-up grotesque.
It’s a contradiction by design, comedy and carnage stitched together just as Fran is. Some chapters are deeply disturbing; others are weirdly poignant. A few are darkly funny. Not every story hits, but it’s the sheer creativity on display that makes Franken Fran so unforgettable.
Whether you’re here for medical madness, the Frankensteinian theme, or the bizarre ethical question it raises, Franken Fran is one of the weirdest horror manga ever created.
Dai Dark is what happens when Q Hayashida decides to write a space adventure and turns the absurdity up to eleven.
Zaha Sanko’s bones can grant any wish. Thus, he becomes a prime target across the galaxy. Instead of making this a tight survival horror, Hayashida turns this into a sci-fi splatter comedy. Dismemberments are casual, bone-harvesting is routine, and space is a giant junkyard full of freaks.
Sanko and his crew, Avakian, Shimada Death and Damemaru, murder their way through space while cracking deadpan jokes, and acting like a group of lighthearted troublemakers out on a stroll. Dai Dark is ultra-violent, but delivered with such gleeful energy that it loops back around to being hilarious.
@ Q Hayashida – Dai Dark
It’s this tonal dissonance that makes the Dai Dark such a weird horror manga. We see heads explode, flesh melt, and people being ripped apart, but the tone is entirely comedic, almost nonchalantly casual. The world of Dai Dark is nightmarish, full of cosmic horrors, but everyone behaves like they are in a Saturday morning cartoon.
The art is phenomenal. Hayashida’s signature grime, body horror, and intricate designs are taken to new heights. Storywise, it’s loose, almost episodic, as if Hayashida is only interested in piling on weirdness than building a coherent narrative. And yet, this is part of its charm.
Dai dark is a bizarre, hyper-violent joyride through the ugliest parts of space. It’s gory and grotesque, but also utterly goofy, making it one of the weirdest horror manga out there, even outshining its predecessor Dorohedoro.
Nijigahara Holograph is arguably Inio Asano’s most structurally bizarre and narrative cryptic manga. It’s a fever dream of trauma, time loops, and surreal storytelling that defies conventional interpretation.
On the surface, it’s about a boy named Suzuki, a girl named Arie who was thrown down a well by her classmates, and strange butterflies appearing all over town. But this is just the beginning and barely scratches the surface.
What truly makes Nijigahara Holograph weird is how it tells its story. There’s no clean linear arc, no reliable narrator and very little exposition. The story constantly shifts timelines and jumps between broken characters. Events repeat, echo, or vanish entirely.
Nijigahara Holograph is maddening on its first read. A single panel or entire chapter might make no sense, but on a reread, you might discover what it means, how it’s related, and you slowly begin to unravel the manga’s complex narrative.
@ Inio Asano – Nijihahara Holograph
Thematically, it’s one of Asano’s darkest works. It features incest, rape, bullying, suicide, murder, and it’s all handled with unsettling detachment. Generational trauma haunts the narrative, infecting character after character like a curse that can never be broken.
And yet, there’s something dreamlike and deeply philosophical about it. The recurring motif of the butterflies echo’s Zhuangzi’s butterfly dream, showcasing the depth and ambiguity of the work, which has led to a wide array of interpretations online.
Nijigahara Holograph is not an easy manga. It’s an experience that demands rereading, close attention, and a tolerance for ambiguity, and even then it might not make sense. Still, if you’re looking for something truly weird, dark, and experimental, it’s one of the most uniquely disturbing horror stories the medium offers.
Hanging Balloons is one of the most bizarre apocalyptic horror stories Junji Ito ever created. What begins as a grounded tale about the suicide of a beloved idol quickly spirals into surreal, inexplicable nightmare fuel.
The story follows Kazuo, whose friend Terumi, a famous idol, is found dead, hanged in a grotesque public display, her body suspended from a noose made of metal, wrapped around electrical wires. Afterwards, rumors of her ghostly head drifting around the city are shared. The truth, however, is even stranger: it’s not a ghost, but a massive floating replica of her head.
Soon, more of these enormous balloon heads appear, each bearing the exact face of its target. They call out your name before they chase you down, all to hang you from the noose attached to them.
Resistance is useless. Even destroying the balloons means death for the person it represents. There’s no fighting back. Even worse, no explanation is given. The story spirals into bleak absurdity, a quiet apocalypse in slow motion, where people drift through the skies, hinging from balloons of their own likeness.
It’s a masterpiece of tonal dissonance. The imagery is comically absurd, but the execution is disturbingly grim.
Some interpret the story as a commentary on idol culture, celebrity suicide and even a metaphor of Freud’s death drive (Todestrieb), that the urge toward self-destruction lies within us all. Yet Ito gives us no answers. It’s horror at its most inexplicable and surreal.
No matter how you read it, Hanging Balloons is one of the weirdest horror manga out there, but also one of the most unforgettable.
Abstraction is one of the most radical and bizarre manga ever created. A standalone one-shot by Shintaro Kago, it’s not officially available in English, but for those interested in experimental manga, it’s essential reading.
The story begins innocently enough: a couple at the beach, a lost ring, and a dive into the ocean. But on page two, it becomes clear that this isn’t a typical manga, not even for Shintaro Kago. What we witness instead is a deconstruction of the medium itself.
Panels are depicted as three-dimensional boxes. Characters crawl into and out of them. Scenes are acted out by grotesque stand-ins: stitched together hands, furniture with eyes, ambulatory genitals, malformed combinations of heads and limbs. The narrative is literally performed by these fleshly abstract creatures moving through the page like stagehands in a horrifying fever-dream.
@ Shintaro Kago – Abstraction
The actual plot is nonsensical erotic schlock, nothing but an excuse for visual experimentation. There’s graphic nudity, sex, and later brutal violence. But the true star here is form. Abstraction explores manga not as a story, but as a performance, a visual illusion, and then tears it apart.
As things spiral into violence, the performing creatures themselves fall apart. They drag their mangled bodies from one panel-box to the next, soaked in blood, barely able to even perform anymore. It’s the most bizarre, nightmarish but creatively experimental work I’ve ever seen.
In the end, Abstraction is not about characters, story or even narrative. It’s a work of pure, transgressive meta-art. It’s absurd, shocking but absolutely brilliant and an utterly weird horror manga.
Soil by Atsushi Kaneko is not just a weird horror manga, but one of the weirdest manga ever created.
The plot begins with the disappearance of a family in the clean, suburban utopia of Soil New Town. Two detectives, the unpleasant and increasingly unstable Yokoi and the more composed Onoda, arrive to investigate. What follows feels like a typical crime thriller… for the first volume.
After that, the cracks begin to show. The mystery slowly deepens. Events don’t add up anymore, and what started as a routine case becomes something utterly incomprehensible.
What truly makes Soil weird is how completely it descends into madness. Scenes become dreamlike and irrational. Questions pile up but are never answered. Plot threads dissolve. And before long, Soil New Town warps itself, and changes into a Lovecraftian fever dream.
The art reflects this shift. It starts off feeling stiff and minimal, but as the story devolves, it becomes deeply expressive, grotesque, chaotic, and abstract.
By the final volumes, Soil stops being about what happened, and becomes an exercise in bizarre atmosphere and surreal imagery. There are no answers, only one bizarre event after another, but that’s how it’s meant to be. Soil isn’t about resolutions, it’s about losing your footing, and losing it completely.
Equal parts baffling, brilliant and incoherent, Soil is one of the strangest manga I ever read. It’s a surreal fever dream that drags you down by its uncanny atmosphere before spitting you back out, utterly confused. If you’re looking for the weirdest manga ever published, Soil is a worthy contender.
BIBLIOMANIA is a disturbing, surreal decent into body horror and madness. It’s an experimental manga where visual beauty and grotesque transformations collide in nightmarish ways.
The story follows Alice, a young girl with a childlike appearance who wakes up in Room 431 of an otherworldly mansion. A talking serpent warns her not to leave the room or her body will rot. Still, she steps outside, ignoring the consequences. Each room she enters contorts her body and mind further, dragging her deeper into a fever dream that feels more like a ritual than a journey.
Alice’s whimsical design and innocent demeanor make the horror hit even harder. As her body warps and melts, as limbs twist and skin unravels, the manga forces you to confront the most intimate form of horror: the loss of your physical identity.
@ Oobaru, Macchiro – BIBLIOMANIA
The mansion itself is an oppressive, surreal setting, like something from a corrupted fairy tale. It’s full of arcane symbolism, monstrous beings, and dreamlike horrors that feel less like plot devices and more like nightmares made flesh. The deeper Alice ventures, the more the story spirals into pure madness.
The art by Macchiro is stunning in the most horrifying way. Alice’s transformation is rendered with excruciating detail. It’s beautiful, but also deeply disturbing.
By the end, BIBLIOMANIA isn’t just disturbing; it’s harrowing. A short but unforgettable descent into the grotesque, and easily one of the most unsettling one-shots I ever read.
God’s Left Hand, Devil’s Right Hand is Kazuo Umezu’s most violent and disturbing manga. It’s a feverish collection of supernatural visions, grotesque deaths, and nightmarish storytelling.
The manga follows Sou, a boy cursed with terrifying premonitions. He sees horrific events before they happen: murders, mutilations, and even stranger incidents. He tries to stop them, but his efforts rarely succeed.
Each arc plays out like a self-contained horror story, ranging from grounded scenarios like serial killers and child murders, to surreal nightmares involving ghosts, parasitic insects, and twisted monsters. The imagery is drenched in gore, but what makes it truly disturbing is the tone. There’s the feeling that nothing is safe, and evil can emerge from the most mundane settings.
Umezu’s art is stiff and outdated by modern standards, but it adds to the unsettling atmosphere. His expressive faces, sudden tonal shifts, and graphic violence create a unique visual style that hits harder than it should. The contrast between childish protagonist and horrifying events only heightens the discomfort.
The manga can be quite divisive. Some arcs are stronger than others, but when it goes dark, it really goes dark. From the infamous Eroded Scissors arc to the Tongue of the Spider Queen, the manga dives into some of the most sadistic and unhinged imagery of Umezu’s career.
God’s Left Hand, Devil’s Right Hand is not a refined work. It’s raw, chaotic, and deeply strange, but it’s also unforgettable. It may be old-school horror, but it remains one of the most disturbing manga ever drawn.
Genres: Horror, Supernatural, Mystery
Status: Finished (Seinen)
20. Horror Mansion
@ Nori Ochazuke – Horror Mansion
Horror Mansion is a relic of the late 80s and early 90s gore manga. It’s raw, grotesque, and unapologetically disturbing. Created by Nori Ochazuke, it’s a long-running collection of short horror stories where narrative often takes a backseat to pure shock value.
The art is scratchy, uneven and extremely rough by modern standards. Yet somehow, that roughness works. The raw, unrefined linework makes the horror feel more jagged and erratic. Gore is abundant. Bodies are torn, mutilated, dismembered, and rearranged in every imaginable way.
Most of the stories follow a simple setup designed to end in carnage. Sometimes it feels like the narrative only exists to justify a few pages of violent escalation. Every so often, however, you get a standout: Ball of Flesh, in which a girl discovers her father’s horrifying secret, or Memory Troubles, a surreal tale of altered memories. These rare entries add genuine psychological unease to the visual grotesquery.
@ Nori Ochazuke – Horror Mansion
Later chapters try to connect a few storylines, but the overarching narrative never becomes a compelling thread. Horror Mansion works best as pure horror schlock: loud, violent, inconsistent, and often disturbing.
This isn’t a refined or elegant manga. But if you crave relentless gore, taboo-smashing horror and some of the most unsettling body horror from the old-school era, Horror Mansion delivers.
Fire Punch is one of the most miserable manga ever written. Disturbing in premise, brutal in execution, and utterly unpredictable, it’s a work of cruelty, nihilism and existential weirdness, written by Tatsuki Fujimoto.
The story begins with Agni, a ‘Blessed’ orphan with regenerative powers, who’s burned alive by an unextinguishable flame. Yet he doesn’t die. His body keeps healing endlessly, and he remains in constant agonizing pain for years. When he finally adapts, he sets off across a frozen hellscape, still wreathed in fire to seek revenge.
That alone would be disturbing enough, but Fire Punch is only getting started.
This manga is full of horrifying imagery: cannibalism, sexual violence, dismemberment, suicide, cults, and mass slaughter. It’s not just gory, it’s emotionally corrosive. Every new development strips more humanity away.
Then, partway through, Fire Punch changes. We meet Togata, a deranged cinephile who decides to make a movie out of Agni’s life. Suddenly the manga becomes meta, self-aware, even absurd. It parodies hero tropes, breaks character arcs, and mocks its own existence. Only to then lurch back into another spiral of misery and despair.
The result is a story that’s chaotic, genre-bending, and deeply disturbing. Fujimoto leans into misery, not just for horror, but to question the meaning of the narrative itself. Does suffering create depth? Is revenge real?
By the end, Fire Punch becomes something else entirely. Whether it’s brilliant or just edgy is debatable, but one thing is certain: it leaves a mark.
If you want a manga that’s cruel, deranged, and disturbingly unforgettable, Fire Punch is where it’s at.
Keep on Vibrating by Jiro Matsumoto is the most explicit adult manga on this list, and arguably the most unhinged.
It’s a collection of one-shots drenched in sex, violence, and surreal madness. Some chapters are loosely connected, others are completely standalone, but they all share the same disorienting, fever-dream logic and unapologetically graphical content.
The opening story alone is one of the most bizarre and disturbing things I’ve ever read. It features full-frontal sex, casual violence, and a plot that barely tries to make sense. And yet, there’s a strange rhythm to the chaos. Mundane dialogue unfolds over horrific backdrops. Emotions are detached, characters act with dreamlike absurdity, and reality bends at will.
The artwork is messy, gritty, and raw, perfectly matching the bleak tone. It’s not conventionally ‘good,’ but it’s effective. You can feel the dirt, sweat, and grime in every panel.
This isn’t horror in the traditional sense. It’s erotic, surreal, and emotionally jarring. What makes Keep on Vibrating so disturbing isn’t just the sex or the violence, it’s the complete erosion of normalcy.
There are moments of genuine brilliance hidden in the filth. Concepts or scenes that stick with you, not because they are shocking, but because they feel like they came from some dark, repressed corner of our subconscious.
Keep on Vibrating isn’t for most readers. If you’re looking for a truly disturbing experience, though, for something that goes beyond gore into psychosexual discomfort and surreal depravity, this one’s for you.
Genres: Horror, Psychological, Drama, Erotica
Status: Finished (Shonen)
17 Misumisou
@ Rensuki Oshikiri – Misumisou
Misumisou is one of the most disturbing manga ever written. It’s not just the violence, it’s the sheer cruelty of it all. Set in a decaying rural town, the manga plunges headfirst into bullying, madness, and revenge, all revolving around middle schoolers.
Haruka Nozaki transfers from Tokyo and quickly becomes the target of merciless bullying. Her classmates torment her physically and emotionally, escalating the abuse with sadistic extremes. The one horrifying event changes everything. From here on out the manga plunges you into a bloody spiral of revenge, and increasingly deranged violence.
What makes Misumisou so disturbing isn’t just the gore, it’s the age of the characters. Kids stab each other, bash in skulls, and murder each other with relentless fury. The sheer viciousness feels wrong on a visceral level. Everyone, from the deranged bullies, to the cold, self-absorbed adults, seems morally bankrupt. Even the class teacher is unhinged.
@ Rensuki Oshikiri – Misumisou
The setting also adds to the horror. The town feels suffocating. The adults simply don’t care. Every interaction drips with indifference.
The art by Rensuke Oshikiri is polarizing. His characters wear grotesque, exaggerated expressions that border on cartoonish, but it also adds to the unsettling atmosphere. Once the violence hits, however, it hits hard.
Misumisou isn’t nuanced or subtle. It’s blunt, bleak, and emotionally exhausting. It’s a tale of teenage violence taken to horrifying extremes, and one of the most twisted revenge stories manga offers.
Genres: Horror, School Life, Tragedy, Revenge (Josei)
Hideout is a short but deeply disturbing plunge into madness, grief, and unrelenting violence. Written and illustrated by Masasumi Kakizaki, this nine-chapter horror manga doesn’t waste a single page, and doesn’t give you room to breathe.
The story follows Seiichi Kirishima, a failed novelist on a remote island getaway with his wife. On the surface, it’s a trip to rekindle their strained relationship after the death of their child. In truth, it’s something far darker: Seiichi plans to murder her. When his attempt fails and she flees into the jungle, the real nightmare begins.
What follows is a psychological spiral soaked in anger, guilt, and psychosis. The cave they stumble into isn’t empty. Something twisted lurks within.
What makes Hideout so disturbing isn’t just the brutal violence, though. It’s the complete emotional breakdown of its character. Seiichi isn’t a tragic man. You slowly realize he’s a delusional, self-pitying monster. His internal monologue is chilling. His justifications feel real, even rational, until they don’t. By the time you reach the final chapter, the full weight of his descent hits like a gut punch.
The art is phenomenal, but oppressive. Heavy shadows, grim textures, and claustrophobic panels amplify the suffocating dread. Every page feels like it’s closing in on you.
There’s no hope here. No redemption. Hideout isn’t just a horror story. It’s a window into the mind of a deranged murderer, a masterclass in psychological horror, and one of the most disturbing manga ever written.
@ Inoryuu Hajime, Itou Shouta – My Dearest Self With Malice Aforethought
My Dearest Self With Malice Aforethought is a psychological thriller that slowly morphs into one of the most disturbing manga I ever read. There’s scarcely any gore, no monsters, but instead the unraveling of identity, twisted relations, and a constant sense of dread that something is terribly wrong.
The story follows Eiji Urashima, a seemingly average college student who wakes up next to a girl claiming to be his girlfriend, yet he has no memory of her. Even worse, several days have passed that he can’t account for. It’s the start of a terrifying realization: Eiji might have another personality, one that’s living a separate life without his knowledge.
That premise alone is chilling enough, but My Dearest Self With Malice Aforethought doesn’t stop there. What begins as a mild case of dissociation spirals into something much darker. With each chapter, disturbing truths are unearthed. The twists are constant, each more harrowing than the last.
@ Inoryuu Hajime, Itou Shouta – My Dearest Self With Malice Aforethought
The first half of the manga is relentlessly paced, full of psychological tension and shock. You never feel grounded. Every new piece of information makes you question what’s real, who to trust, and what kind of monster might hide inside Eiji.
The second half slows down as the mystery narrows and the pieces slowly fall into place. Even then, the revelations remain dark.
This isn’t a horror manga, but it’s still deeply unsettling. It grips you with psychological fear and keeps you in a state of constant unease. If identity horror, unreliable reality, and mind-warping tension are what disturbs you most, My Dearest Self With Malice Aforethought delivers.
Lychee Light Club is a grotesque, fascist fever dream warped in adolescent sadism. Written and illustrated by Usamaru Furuya, this short but disturbing manga is a descent into madness, obsession, and eroticized violence, all carried out by a group of middle school boys.
The story centers on the Hikari Club, a secret society of boys who worship beauty and power. Together, they built a robot named Lychee, and programmed it to kidnap beautiful girls from town. Beneath their twisted quest lies something darker: the collapse of reason, the rise of authoritarian cruelty, and the violent fantasies of emotionally repressed youth.
From the opening chapter, Lychee Light Club announces itself with unflinching brutality. The violence is shocking, not just because of its graphic detail, but because it’s enacted by children. The tension between innocence and depravity makes this manga so disturbing.
The manga’s content is charged with psychosexual imagery, dismemberment, torture and psychological breakdown. But it’s the groupthink, the fascist, almost ritualistic loyalty to their leader that makes it feel truly disturbing. As power shifts, members betray one another, and ideology turns deadly.
Furuya’s art is clean and theatrical, almost too elegant for the subject matter. This contrast only heightens the grotesque. His character design, the staging, the drama, it all feels like a demented stage play, echoing the manga’s theatrical roots and Maruo-inspired ero-guro flair.
Lychee Light Club is sick, stylish and impossible to forget. A surreal horror opera of adolescent cruelty, where ideology, repression and violence twist together into an utterly disturbing manga.
Mr. Arashi’s Amazing Freak Show is one of the most disturbing manga ever drawn. Created by Suehiro Maruo, it blends ero-guro aesthetics, surreal imagery, and extreme cruelty into a haunting, tragic story that’s hard to forget and harder to stomach.
The plot centers on Midori, a young girl who is taken in, or rather enslaved, by a traveling freak show. Rather than finding refuge, she’s subjected to relentless cruelty from the twisted performers around her. What follows is a nightmarish journey through psychological and physical abuse, all rendered in Maruo’s elegant, classical art style.
The manga doesn’t rely on jump scares, but rather disturbing human behavior and the erosion of innocence. As the story progresses, Wonder Masamitsu joins the show, a mysterious magician whose illusions warp reality itself. From this point forward, the narrative grows stranger and more surreal, blurring the lines between dream and nightmare.
@ Suehiro Maruo – Mr. Arashi’s Amazing Freak Show
Even moments of tenderness are uncomfortable. The relationship between Midori and Wonder, is framed with care, but raises serious ethical questions, adding to the story’s deeply unsettling tone.
Mr. Arashi’s Freak Show is infamous not only for its content, but the way it presents it. It’s full of surreal theatricality, graphic metaphors and tragic inevitability. It’s not for everyone, and it’s easy to see why. For those who are willing to explore the darkest corners of the manga medium, however, it’s a disturbing and unforgettable experience.
Soil is not disturbing in the usual sense. It doesn’t lead with gore or explicit horror. Instead, it creeps under your skin with surreal dread and creeping psychological rot. Created by Atsushi Kaneko, it begins as a quirky mystery and slowly mutates into something stranger, darker and profoundly interesting.
Set in the seemingly idyllic suburban community of Soil New Town, the story kicks off with a missing family. Two detectives, the foul-mouthed, unhinged Yokoi and his straight-laced partner, Onoda, arrive to investigate. The deeper they dig, however, the weirder the town becomes. Clues don’t add up, reality begins to slip, and it becomes clear that something is deeply wrong here.
What makes Soil disturbing isn’t just the secrets hidden behind the town’s carefully maintained facade, though there are plenty. From a council president who spies on residents with hidden cameras and drugs his dental patients, to teenage rapists, and massive harassment of those who don’t fit, Soil pulls no punches.
Even more disturbing, however, is the way the story dissolves into pure surrealism. The further you read, the less you understand. The town becomes a nightmarish echo of itself. The narrative collapses into a Lynchian fever dream where logic no longer applies.
Kaneko’s angular art style adds to the uncanny effect. At first it seems stiff, even cartoonish, but once the horror deepens and the visuals distort, it becomes expressive, perfectly capturing the dreamlike madness of Soil New Town.
If you want something disturbing not for what it shows, but for how it feels, Soil is one of the most jarring and disquieting manga out there.
Franken Fran is one of the most bizarre and disturbing manga ever. Created by Katsuhisa Kigitsu, it follows Fran Madaraki, a kind-hearted but completely unhinged surgeon created by a legendary doctor. When he disappears, Frank takes over his work, often with disastrous, grotesque, and darkly hilarious results.
Told in episodic format, the manga functions like a twisted anthology, each chapter representing a new patient, and a new horrifying outcome. Franken Fran is like a weird version of Tales From the Crypt full of sci-fi body horror.
What makes it so disturbing is its unapologetic focus on surgical and medical horror. Organs, brains, intestines and much more are laid bare. Fran routinely cuts people open, rearranges their anatomy, reanimates corpses, or transforms humans into monstrous versions of themselves.
Even the more comedic or satirical chapters are drenched in grotesque visuals. A chapter may seem lighthearted at first until someone’s body mutates, degenerates or collapses in freakish, biological plausible ways. The manga never lets you get comfortable.
There’s also Fran herself. Cheerful, polite, and always eager to help, she’s a walking contradiction. She genuinely wants to help people, but her solution often ignores morality, sanity or the patient’s wishes. She’ll perform groundbreaking surgery without hesitation, even if the result is a permanent nightmare.
Franken Fran is equal parts horror, sci-fi and black comedy. Some chapters miss the mark, especially the lighter ones, but at its best it’s a gleefully perverse exploration of body horror and medical ethics gone wrong. Disturbing, weird, but also charming. An unforgettable read.
Starving Anonymous is a grotesque descent into industrialized horror, where humans are no longer people but livestock. Co-created by Yuu Kuraishi and Kazu Inabe, it’s one of the most viscerally disturbing manga of the last decade, not just for its gore, but for the systematic, mechanical way it dehumanizes its victims.
The story begins with two high schoolers, Ie and Kazu, who wake up inside a freezing truck filled with corpses. They’ve been abducted and brought to a secret facility that breeds, fattens, and processes humans like animals. It’s not just violent, it’s disturbingly methodical.
At the heart of it all are monstrous, insectoid creatures that feast on humans. Their presence turns every feeding scene into a nightmare: people are devoured alive, torn limb from limb, or reduced to pulp in seconds. What’s truly unsettling, though, isn’t the gore itself, but how accepted it all is. The world treats human suffering as nothing but a routine.
The manga also explores forced reproduction, bodily autonomy, and scientific horror. People are not only killed, they’re repurposed and reshaped all under the guise of cold efficiency.
The artwork enhances every disturbing moment with surgical precision. Skin and flesh stretch, eyes bulge, and organs are exposed.
Starving Anonymous eventually shifts into high-concept sci-fi, but the unsettling factor never fades. It’s not just the violence that lingers, but the horrifying idea of a world where people are nothing but feed. If you’re disturbed by exploitation, dehumanization, and body horror on a massive scale, this manga will stay with you.
@ Yoshiaki Tabata, Yuuki Yugo – Wolf Guy: Ookami no Monshou
Wolf Guy: Ookami no Monshou is one of the most disturbing action-horror manga ever written. Behind its stylish art and supernatural premise lies a manga drenched in brutality, suffering, and unflinching cruelty. It’s not just violent, it’s twisted.
The story follows Akira Inugami, a mysterious transfer student who hides a dark secret: he’s a werewolf. He heals instantly, doesn’t age like a normal human being, and tries to live in peace. Peace, however, isn’t an option.
At first, the disturbing content is rooted in physical violence. We see vicious beatings, mutilations, and brutal fights. Then the manga escalates. It dives into a series of graphic, traumatic events, including torture, sexual assault, and a harrowing school shooting. There’s even a prolonged arc involving the sexual abuse of a central character that’s among the most difficult scenes in any manga to sit through. These chapters alone have caused readers to drop the series, and understandably so.
@ Yoshiaki Tabata, Yuuki Yugo – Wolf Guy: Ookami no Monshou
What makes Wolf Guy: Ookami no Monshou so disturbing isn’t just what happens, but how relentlessly the manga rubs it in your face. The characters, especially the antagonist, Haguro, are pure chaos and sadism incarnate. There’s no comfort here, just escalating carnage.
Yet Wolf Guy: Ookami no Monshou is strangely mesmerizing. Akira is a tragic, stoic figure, a supernatural being constantly haunted by the worst of humanity. The artwork is cinematic and raw, delivering gorgeously stylized sequences that only make the suffering hit harder.
If you’re looking for a disturbing manga that pushes the boundaries of what’s acceptable, Wolf Guy: Ookami no Monshou is unforgettable.
Genres: Action, Psychological, Supernatural, School Life
MPD Psycho is one of the most disturbingly cerebral crime-horror manga ever written. Created by Eiji Otsuka and drawn by Shou Tajima, it’s not shocking for the sake of it. Instead, it’s cold, methodical, and haunting in ways that linger long after the gore fades.
The story follows Kazuhiko Amamiya, a detective with a dissociative identity disorder. At first, it reads like a gruesome procedural, depicting grotesque serial killings. The longer the manga goes on, however, the narrative unravels into a deeply psychological web of identity, mind control, and institutional horror.
The violence here is horrifying, not just because of what is shown, but how it’s shown. Victims are dissected, mutilated, and repurposed into grotesque installations: heads turned into flowerpots, people made into grotesque sculptures, organs and limbs removed with surgical precision. There’s no rage behind the killings, just disturbing detachment.
Tajima’s artwork heightens the discomfort. Every wound, every expression, every corpse is drawn with clean, cold lines. There’s no mess, just sterile medical precision that makes the violence feel eerily real.
It’s not just the visuals, though. MPD Psycho is disturbing on a psychological level. The fractured identities of its protagonist mirror the fragmented narrative, and the manga constantly questions what it means to be a person. It’s deeply unsettling to imagine suffering from the mental condition depicted here, especially within a world so devoid of empathy.
This isn’t splatterpunk. It’s horror filtered through logic, cruelty, and control. MPD Psycho is dense, brutal, and demanding, but it’s also one of the most intelligently disturbing manga of its kind.
Blood on the Tracks is psychological horror at its most intimate, and its most disturbing. Created by Shūzō Oshimi, it follows Seiichi Osabe, a quiet middle schooler, and his overbearing mother, Seiko. What begins as slightly uncomfortable affection quickly spirals into one of the most terrifying portrayals of emotional abuse in manga.
There’s no gore, there’s no supernatural twist. Just a mother who watches too closely, holds on too tightly, and slowly erases her son’s sense of self. Early on, one single, horrifying act shatters the illusion of domestic safety. From that moment, Blood on the Tracks becomes a suffocating descent into psychological control.
What makes this manga so disturbing is not just Seiko’s behavior, but how subtly and relentlessly she exerts power over every moment of Seiichi’s life. He’s never alone. She’s always there: hovering, listening, watching. Her blank stares and forced smile carry more dread than any monster ever could.
Oshimi’s artwork amplifies the tension with masterful restraint. Entire chapters focus on a single glance, a moment of silence, or a child too scared to speak. There’s an unbearable weight in every panel, an invisible grip tightening around Seiichi’s life, until it feels like he might disappear completely.
Even as the pacing slows towards the end, the damage is already done. The true horror here is watching a child’s will dissolve under constant, calculated love twisted into control.
Blood on the Tracks is slow, quiet, and absolutely suffocating. It’s a disturbing masterpiece of emotional horror, and one of the most disturbing manga in recent history.
Genres: Horror, Psychological, Tragedy, Philosophical, Slice of Life
Ichi the Killer is one of the most psychologically disturbing manga ever created. Written and illustrated by Hideo Yamamoto, it’s a deep dive into trauma, sadism, and the darkest extremes of human behavior.
The story follows two broken men on a collision course: Kakihara, a sadomasochistic yakuza who lives for pain, and Ichi, an emotionally stunted young man manipulated into becoming a killer. Ich is no cold killer, though. He’s a trembling, confused boy whose mind has been systematically twisted. This contradiction between innocence and carnage makes the manga so horrifying.
The violence in Ichi the Killer is extreme, but not senseless. It’s disturbing because it’s so deeply rooted in psychology. People are tortured, raped, and mutilated, but the manga focuses not just on what is done, but why. Kakihara’s obsession with pain, Ichi’s collapsing identity, and the manipulation behind his actions are all deeply unsettling. You’re not just witnessing cruelty, you’re seeing how it’s born, fed, and weaponized.
Yamamoto’s gritty, chaotic art enhances the discomfort. The visuals are messy, visceral, and uncomfortable. Every act of violence feels personal, almost intimate, and every character is damaged beyond repair.
What makes Ichi the Killer truly disturbing isn’t just the graphic content, but the terrifying way it explores the human psyche.
This isn’t just a disturbing manga. It’s a psychological horror story masquerading as a crime drama. One of the most twisted, thought-provoking, and unforgettable titles out there.
Homunculus is one of the most disturbing psychological manga ever created, but not because of gore or violence, but because of the raw, unfiltered descent into madness it portrays. Written by Hideo Yamamoto, it’s an exploration of trauma, perception, and identity that grows increasingly surreal the deeper you go.
The story follows Susumu Nakoshi, a man living in his car on the edge of society. When he agrees to undergo trepanation, a procedure in which a hole is drilled into the skull, his life changes. He begins to see people not as they are, but as symbolic, twisted representation of their inner trauma: homunculi.
These grotesque visions form the visual backbone of the manga. Melted features, fused limbs, literal manifestations of emotional scars. Each encounter becomes more unsettling than the last. But Homunculus goes far beyond body horror. It’s disturbing because it asks you to sit inside a mind unraveling. As Nakoshi spiral further from reality, it becomes harder to separate hallucination from truth, metaphor from madness.
The manga also heavily features sexual dysfunction and psychological manipulation. Several scenes blur the line between desire and trauma, identity and delusion. Yamamoto doesn’t shy away from uncomfortable territory, especially in his portrayal of gender, shame, and repressed emotions.
By the final arc, Homunculus fully abandons conventional storytelling and dives into surreal ambiguity. It’s baffling, but intentionally so. What begins as a simple experiment becomes a nightmare of fractured identity and existential dread.
If you’re looking for horror deeply rooted in psychology, symbolism, and the grotesque nature of self, Homunculus is one of the most disturbing manga you’ll ever read.
Genres: Horror, Psychological, Philosophical, Drama
Freesia is a disturbing descent into madness, set in a world where vengeance is legal. Created by Jiro Matsumoto, this manga imagines a near future Japan where victims’ families are granted the legal right to kill their loved one’s murderer, or hire someone to do it for them.
Our main character, Kano, is one such professional proxy killer. Even disturbingly, however, he suffers from schizophrenia, hallucination and severe memory lapses. From the very first chapter, it becomes clear that we’re not just witnessing a dystopia, but that we’re trapped in a man’s fractured mind. What makes Freesia so unnerving is how well it blurs reality and delusion. We can never be sure what’s real, and neither can Kano.
But it’s not just the protagonist who’s unraveling. Nearly every character in Freesia is mentally unstable or emotionally broken. Delusions, trauma, and psychosis run rampant.
While the story features violence, assassination, and cruelty, the most disturbing element is the bleak emotional core. We’re shown the victims‘ personal lives, their regrets, their humanity, and then we watch them being killed. Justice is mechanical, senseless, and soul-crushing.
Matsumoto’s harsh, sketchy art style adds to psychological unease. Dialogue is disjointed. Action scenes dissolve into chaos. The world of Freesia is claustrophobic and toxic, like a fever dream.
Freesia is not a clean tale of revenge. It’s a slow, depressing spiral into institutionalized violence, paranoia, and insanity. This manga is pure psychological rot. It’s uncomfortable, messy, and utterly disturbing in the way it portrays insanity, not as an exception, but as the rule.
Uzumaki is one of the most bizarre, iconic and deeply disturbing horror manga ever created. A surreal masterpiece by Junji Ito, it takes a single abstract concept, the spiral, and turns it into a cosmic curse that wraps everything in its path.
Set in the foggy coastal town of Kurouzu-cho, Uzumaki follows Kirie Goshima and Shuuichi Saitou as they witness their home descend into madness. There are no monsters to fight, no antagonists to overcome. There’s only the spiral: a faceless, incorporeal force that infects minds, bodies, and reality itself.
What makes Uzumaki so disturbing is both its imagery and its implications. Right from the first chapter, we’re introduced to grotesque body horror as Shuuichi’s father becomes obsessed with spirals, an obsession that culminates with one of the most shocking pages in horror manga history. From there, things only escalate. People’s bodies twist unnaturally, faces spiral inwards, and so much more.
Certain chapters are especially unsettling for how far they push boundaries, and I break down the worst in this companion list.
The first two volumes unfold as episodic horror tales, each centered on a new spiral-related horror. Only the final volume shifts the manga into a Lovecraftian apocalypse.
Junji Ito’s masterful art and nightmarish imagination are on full display throughout the series. His surreal, intricate panels bring every warped transformation to life. And yet, Uzumaki’s horror goes beyond gore. It’s true terror lies in the helplessness o fit all. The spiral simply is. Its pull is inevitable.
Uzumaki is more than just one of the most disturbing manga ever made. It’s one of the greatest achievements in horror manga history.
Rest in peace, Kentaro Miura. Thank you for sharing your gift with the world.
Berserk isn’t just one of the greatest manga ever written, it’s also one of the most disturbing. It’s a towering achievement in dark fantasy. It’s as brutal as it is beautiful, filled with nightmarish violence, unforgettable characters, and some of the most harrowing scenes in manga history.
The story follows Guts, the Black Swordsman, a lone warrior locked in an endless battle against demonic apostles and the man who betrayed him: Griffith. What begins as a bleak revenge tale gradually opens into an epic tragedy of fate, trauma, and survival.
The world of Berserk is hellish. War, rape, torture, and senseless slaughter are commonplace. Kentaro Miura never flinches from showing the worst of humanity.
The apostles are amongst the most grotesque, viscerally designed creatures in all of manga. Their monstrous forms are a showcasing for Miura’s artistic brilliance and his ability to render terror in staggering detail.
Yet even the most horrific imagery pales compared to The Eclipse, one of the most soul-crushing sequences in manga history. It is a moment so violent, so traumatic, and so devastating that it defines Berserk’s reputation.
Even after all this, though, Berserk remains a deeply human story. Guts is not a cold-blooded killer, but a man fighting to retain his soul. His suffering is immense, but his will seems unbreakable.
Berserk is disturbing, but it’s also transcendent. Miura’s art reaches heights few manga have ever touched. His panels are incredibly detailed, and in later arcs, reading the manga often feels more like staring at classical illustrations.
If you can handle its content, Berserk is a masterpiece. It’s an emotionally devastating, violently cathartic tale that deserves its place among the best manga ever made.
Fraction is one of the most brilliant, bizarre and disturbing manga ever created. Written by Shintaro Kago, the undisputed king of absurdist horror, it starts as a gruesome serial killer mystery before completely shattering the boundaries of the narrative.
At first, the manga follows the case of the Slicing Devil, a brutal killer who murders victims by slicing their bodies in half. It’s grotesque, graphical, and unsettling on its own. But then, in true Kago fashion, the story turns inside-out: the author himself appears as a character and begins dissecting the manga’s structure.
What follows is a mind-melting, meta-narrative deep dive. Kago’s character lectures readers on horror tropes, story progression and authorial intent, while simultaneously becoming part of the narrative himself. It’s one of the most inventive uses of metafiction in horror manga, culminating in a twist so smart and unexpected it’s jaw-dropping.
@ Shintaro Kago – Fraction
And then, true to form, Kago returns to the Slicing Devil, but here the story descends into pure grotesque absurdity.
Yet Fraction doesn’t stop there.
The second half of the volume features standalone short stories, each stranger than the last. The most disturbing by far is Voracious Itch. It’s an unforgettable piece of body horror so viscerally disgusting and vile, that it’s hard to read and harder to forget. It’s not just grotesque, it’s pure nightmare fuel.
Fraction is chaotic, offensive, and structurally insane, but it’s also a masterpiece of experimental horror. If you have the stomach for it, and love seeing form and genre torn apart, check this manga out. Just don’t expect to sleep well after.
As a horror writer, I’ve always been obsessed with the horror genre in all its forms. I devoured unsettling stories, disturbing movies and eerie folk tales. Few, however, capture horror quite like manga.
Horror manga blend stunning visual storytelling with psychological depth, surreal imagination, and a deep cultural connection firmly grounded in the supernatural. It’s a medium in which everything can happen. Grotesque ideas meet beautiful art, creating an entirely unique way to showcase horror.
Over the years, I’ve read hundreds upon hundreds of horror manga. Some are famous classics; others are hidden gems I discovered in the medium’s weirder corners.
This list serves as a testament to my dedication to the horror manga genre, and collects my personal favorites. You’ll find the most terrifying, most original, and most unforgettable horror manga I’ve ever encountered.
@ Tsutomu Nihei – Blame!, Koike Nokuto – Yuuan no Kanata, Junji Ito – Uzumaki
So if you’re looking for the best horror manga, from disturbing to deranged and outright bizarre, you’re in the right place.
On a quick note: horror is a broad term. On this list, you’ll find slow-burn thrillers, grotesque pieces of body horror, surreal mysteries, action-packed survival nightmares, and even horror-comedy hybrids. Some series might be pure horror, while others lean more into tragedy, sci-fi, crime, or even fantasy. So I’m sure there’s something for every horror fan out there.
Many of the horror manga on this list are completed; others are still ongoing. All of them, though, showcase horror at its most unforgettable.
Mild spoiler warning. I try to keep things vague, but sometimes it’s unavoidable.
So here’s my definite list of the 50 best horror manga anyone should read (last updated: July 2025).
Sometimes horror isn’t about gore or graphic violence. Instead, it’s about the feeling that something is deeply wrong. That’s the kind and quiet, creeping dread at the heart of Tonari no Jii-san.
Written by Koike Nokuta, this haunting horror manga follows Yuki, a quiet girl living in a rural town who dreams of becoming a painter. When her older sister leaves the town behind, Yuki rides the train with her to see her off. While there, she witnesses something that shakes her sense of reality forever. And yet, no one cares, and even worse, no one seem to notice anything is wrong. Was it all just a hallucination? Is she going insane? Or was it actually… real?
As the manga continues, Yuki tries to find out the truth, and soon realizes she’s not the only one who can see the town’s true nature. What begins as personal paranoia gradually turns into a larger mystery that blends body horror with strange local folklore.
@ Koike Nokuta – Tonari no Jiisan
The art in Tonari no Jii-san is stunning. It comprises fine textures, shadowy tones, and surreal designs to bring its most outlandish scenes to life. The first chapter alone is one of the strongest openings in recent horror manga.
Though still in its early run, Tonari no Jii-san is already shaping up to be a modern classic. It’s a chilling, slow-burn mystery that captures the dread of being the only one who sees the cracks in reality, and the fear that the truth might be worse than madness.
The Kurosagi Corpse Delivery Service is one of the most underrated horror manga of its kind. Written by Eiji Otsuka and illustrated by Housui Yamazaki, this quirky series follows five Buddhist university students who run a very unusual business: fulfilling the final wishes of the dead.
Each member of the team has a supernatural gift. Most notably, Kuro Karatsu, who can communicate with the dead, an ability that lets the group uncover how a person died and what they need to move on. The result is a horror-mystery blend where each case brings a new death to solve, often revealing crimes, conspiracies, or unresolved trauma.
While the series deals with dark and unsettling subject matter, it’s surprisingly light in tone. The characters are quirky; the dialogue is witty, and the black comedy is sharp.
Even though the manga follows a mostly episodic structure, with each chapter centering on a new body, the storytelling remains fresh thanks to the wide variety of cases and strong character dynamics.
It’s not the most terrifying manga on the list, but its creativity, atmosphere, and unique ability to balance death, humor, and mystery make it a cult classic worth reading. Especially for fans of episodic horror and mystery with a supernatural twist.
Domu: A Child’s Dream is a short but striking horror manga by Katsuhiro Otomo, best known as the creator of Akira. Though lesser known, Domu is a powerful, self-contained story that blends supernatural horror with psychological suspense, showcasing Otomo’s signature artistic talent on full display.
The story takes place in a massive apartment complex where a string of unexplained suicides and violent deaths have left investigators baffled. As the mystery deepens, the truth is revealed: an old senile man with psychic powers holds sway over the complex, manipulating and killing its residents for his own twisted amusement.
Yet when a young girl with powerful psychic abilities of her own moves in, a deadly confrontation begins. What follows is a psychic duel that tears through the concrete maze of the apartment complex with eerie, unforgettable intensity.
Domu’s often overshadowed by Akira, but it’s an essential read in its own right. With stunning paneling, cinematic tension, and a grounded urban setting, it’s a perfect one-volume horror manga that delivers in both story and spectacle.
Genres: Horror, Drama, Psychological, Slice of Life, Classic
Devilman is a cult classic horror manga from the 1970s by Go Nagai, and one of the earliest titles to push the genre into darker, more transgressive territory. Though rough around the edges, it’s a foundational work that still resonates today, especially after its modern reimagining in Devilman Crybaby.
The story follows Akira Fudo, a timid teenager who fuses with the powerful demon Amon during a horrific ritual. This transformation gives him the strength to fight other demons secretly infiltrating society. Yet as the story unfolds, Devilman shifts its focus, exploring how humans, too, are capable of cruelty and evil.
Make no mistake: Devilman is a chaotic manga. Its tone swings wildly, the pacing lurches, and its art, while expressive, is outdated and cartoonish by modern standards. Yet it’s a beautiful mess, one that’s raw and powerful, featuring the occasional moment of brilliance. This is especially the case in its fantastic final chapter, which delivers one of the most unforgettable endings in manga history.
Devilman isn’t a masterpiece in terms of structure or character, but its ambition, shock value and apocalyptic themes helped shape the landscape of horror manga. If you’re interested in the genre’s history, or enjoy experimental, surreal, and morally bleak narratives, it’s absolutely worth reading.
Hideout is a short, brutal descent into madness, grief, and revenge. Written and illustrated by Masasumi Kakizaki, this nine-chapter horror manga is both visually stunning and emotionally suffocating. It’s a pure psychological nightmare.
The story follows Seiichi Kirishima, a failed writer who travels to a remote island with his wife under the pretense of mending their relationship after losing their son. Yet Seiichi has a darker purpose in mind: he intends to kill her. When his plan fails and she escapes into the island’s jungle, the chase leads them into a hidden cave. But they soon learn, they’re not alone.
Told through a mix of real-time horror and grim flashbacks, Hideout unravels the tragedy behind Seiichi’s descent, revealing a man consumed by failure, guilt, and resentment. It’s a bleak, downward spiral with no happy ending in sight.
The manga’s art is breathtaking. Heavy shadows, oppressive blacks, and detailed line work make every page drip with atmosphere and heighten the manga’s already claustrophobic feeling.
Though short, Hideout leaves a lasting impact. It’s a lean, vicious story with zero filler and an unrelenting sense of dread. It’s a must-read for fans of psychological horror, survival horror, or simply great art.
Zashiki Onna is one of the earliest horror manga to explore stalking in a grounded, realistic way, and laid the foundation for the stalker horror subgenre that followed. First published in the early 1990s, this short but deeply unsettling story proves you don’t need supernatural monsters to terrify.
The manga follows Hiroshi, a university student whose ordinary life begins to unravel after he encounters a strange, tall woman lingering outside his neighbor’s door. After a brief exchange, her attention shifts to him. At first, it’s unnerving, then it becomes invasive, and soon, dangerous.
What makes Zashiki Onna so effective is its eerie plausibility. The woman isn’t a ghost or a demon, just an unexplainable, relentless presence that slowly dismantles Hiroshi’s sense of safety. The horror lies in how real it feels.
Clocking in at only eleven chapters, Zashiki Onna is a tight, creeping, psychological horror manga that lingers long after its final page. It’s a haunting portrayal of obsession, helplessness, and invasion of privacy. All without ever relying on gore or the supernatural.
In a list full of monsters and the supernatural, Zashiki Onna stands out by proving that sometimes the most terrifying threats are human.
Another is a suspenseful horror mystery adapted from Yukito Ayatsuji’s novel of the same name. Set in 1998, the story follows Kouichi Sakakibara, a transfer student who joins Class 3-3 at Yomiyama North Middle School.
He soon discovers that something is deeply wrong. His classmates behave strangely, especially around Mei Misaki, a quiet girl they all pretend doesn’t exist. As Kouichi digs into the mystery, a chain of horrific, inexplicable deaths begins to claim the students one by one.
Compared to its anime counterpart, the manga adaptation offers a more grounded and coherent retelling of the story. While the deaths are still brutal, sometimes absurdly so, they’re fewer and more effectively placed, making it less of a gorefest. It also features a surprisingly emotional core, with a cast of characters that make human mistakes and struggle under pressure.
@ Ayatsuji Yukito, Kiyohara Hiro – Another
Hiro Kiyohara’s moody artwork suits the story well, particularly in its more quiet or tense moments. While some plot elements feel randomly placed or like late additions to the story, the final reveal makes up for it. It’s a genuinely surprising and tragic twist.
Though divisive, Another remains one of the most influential modern ghosts stories in horror manga. It blends small-town paranoia, curses, and a creeping sense of dread into a tight, tragic mystery. If you’re a fan of supernatural horror or Japanese ghost stories, Another is a solid choice.
Shiga Hime is a stylish, violent, and perversely compelling vampire manga that twists classic tropes into something far more depraved, but also human. At first glance, it might seem trashy and overly sexual, but underneath this provocative nature lies a deeper and more tragic story.
The story follows Osamu Hirota, an average boy whose life spirals out of control after he’s lured to the mansion of the mysterious Miss Miwako, a beautiful vampire. After a grim encounter, Osamu finds himself transformed into a grotesque monster, forced to kill to maintain his human form. Bound to Miwako as her familiar, he’s drawn into a world of rival vampires, monstrous servants, and violent power plays.
As mentioned before, Shiga Hime is highly sexualized. Miwako uses her body to both seduce and dominate. This reliance on erotic horror imagery may turn some readers away, but those who stay will find that Shiga Hime is more than mere exploitation.
As the story progresses, this horror manga’s themes deepen. What begins as a tale of grotesque bodily transformation becomes a multi-layered exploration of desire, vanity, jealousy, and the slow decay of morality.
Sato Hirohisa’s artwork is exceptional. His distinct, evolving style blends sharp character design with elaborate creature design. Especially later battles look downright stunning, and the detailed illustrations more than elevate the story’s emotional stakes.
Though Shiga Hime starts rough, both tonally and thematically, it quickly becomes one of the more unique horror manga on this list. If you can handle its provocative edge, you’ll be rewarded with a twisted, multi-layered and tragic vampire tale.
Dragon Head is a harrowing survival manga with intense psychological horror at its core. Written by Minetarou Mochizuki in the late 1990s, it begins with a terrifying train accident that leaves only three teenagers alive: Teru, Ako, and Nobuo. Trapped inside the wreckage with no light and dwindling supplies, the survivors must battle claustrophobia, despair, and the creeping threat of madness.
And that’s only the beginning.
Once they escape the tunnels, they are thrust into an apocalyptic landscape filled with destruction, paranoia and the growing signs of civilization’s collapse. Dragon Head’s horror doesn’t come from monsters, but from people breaking down, from losing hope, and from confronting the terrifying idea that the world may never make sense again.
What makes Dragon Head stand out is its realism. The characters act like real people in an extreme crisis: they panic, lash out, and desperately cling to survival. As the story unfolds, the line between sanity and delusion blurs, especially for Nobuo, whose psychological collapse is one of the most haunting parts of the manga.
The artwork is gritty, expressive, and, at times, breathtaking. Mochizuki’s detailed backgrounds and bleak landscape lend a tangible weight to the destruction. You can almost feel the dust, the silence, the scale. It’s a masterclass in visual storytelling.
While the manga loses momentum toward the end and leaves many questions unanswered, this ambiguity may be intestinal. After all, what kind of closure is there when the world ends?
At its core, Dragon Head is a psychological survival manga. It’s exploration of fear, madness and societal breakdown, more than erns it a place amongst the best horror manga of all time. If you’re looking for grounded, tension filled horror, read Dragon Head.
The Laughing Vampire by Suehiro Maruo is a deeply disturbing descent into the grotesque, erotic and surreal. We’re now diving into the deep end of horror manga.
Known for his ero-guro (erotic grotesque) work, Maruo is infamous for blending sex, violence, and social decay. The Laughing Vampire contains all these elements, but stands out due to its chilling story. Set in a warped version of post-war Tokyo, we follow a newly resurrected vampire boy who goes on a brutal killing spree, but also a variety of other characters, all committing various atrocities.
What makes this manga so effective and so deeply unsettling, is that the supernatural horror is barely worse than any of the real-life cruelties it depicts.
The manga becomes even more interesting in later chapters, when it introduces new character and mythic imagery, turning it into a nightmarish fairy tale soaked in blood, madness and depravity. Its experimental structure and abstract symbolism draws heavy influence from European cinema and literature, lending it a strange art-house flair.
This is most noticeable in its mesmerizing art. It is clean, expressive, and grotesquely beautiful. Every panel feels meticulously composed, making the horrific content hit even harder.
Be warned: this is the most twisted and sexual explicit horror manga on this list. But for those who can stomach it, The Laughing Vampire is a bold, visionary work that pushes the genre’s boundaries both stylistically and thematically.
Shiki is a slow-burning, morally complex vampire manga set in a quiet mountain village where the dead begin to rise. Adapted from Fuyumi Ono’s novel, the story explores what happens when denial, fear, and survival instincts collide.
At first glance, Shiki’s biggest hurdle is its presentation. The stylized art can feel jarring or even silly. Combined with its sluggish first half and a more than obvious setup (a mysterious family moves into a remodeled European-style mansion, and soon after people die of anemia), it is easy to dismiss Shiki before it truly begins.
Over multiple volumes, we follow the village’s doctor, Ozaki, as he methodically investigates the deaths while dismissing any kind of superstition. The manga doesn’t solely focus on him, though. We witness the lives and deaths of countless other people, watch as families are torn apart, and how people struggle to cope with tragedy. This is Shiki at its most dense, but also most essential.
Eventually, the truth becomes unavoidable: vampires are real.
@ Yokoyama Mitsuteru – Shiki
And that’s when Shiki hits truly hard. The second half turns into one of the most brutally haunting and deeply disturbing stretches in horror manga. It raises the manga’s central question: Who are the real monsters?
Beneath the bloodshed lies a deep meditation on prejudice, moral compromise, and how easily we justify atrocities once we stop seeing others as human.
Shiki isn’t for everyone. It’s an extremely slow-burning, dense, and uneven manga, but by the end, you’re rewarded with one of the most philosophically rich and emotionally devastating horror manga on this list. It earns its place not just for scares, but for daring to ask what separates survivor from killer.
Lychee Light Club is one of the most bizarre and grotesque horror manga on this list. Inspired by a 1980s stage play and heavily influenced by the works of Suehiro Maruo, this short series by Usamaru Furuya blends ero-guro sensibilities with dystopian absurdity.
The story follows a group of middle schoolers who form the secretive, cult-like Hikari Club. Obsessed with beauty and power, they build an AI-powered robot named Lychee to abduct beautiful girls from the nearby town. As the club’s ideas grow more extreme, however, internal tensions mount, and things spiral into sadism, betrayal and murder.
What makes Lychee Light Club so disturbing isn’t the copious amounts of gore and depravity on display, but how it mirrors fascist group think. We witness emotional repression, but also the violent fantasies of adolescent boys. It’s a descent into madness, framed as a theatrical tragedy.
Furuya’s artwork is sharp, dramatic, and reminiscent of Maruo’s. His clean line work contrasts heavily with the brutal content, enhancing the manga’s already surreal tone. It’s not just grotesque, it’s almost operatic.
Lychee Light Club is not for the faint of heart, and amongst the most deranged manga on this list. It’s surreal, violent and often disgusting. Yet it’s also oddly brilliant. It’s a satirical and horrifying take on group obsession and toxic ideology.
Starving Anonymous is one of the most grotesque and disturbing horror manga on this list. What starts as a surreal survival nightmare quickly escalates into a full-blown descent into bio-industrial hell.
The story begins when two high school students, Ie and Kazu, fall unconscious after their bus is flooded with mysterious gas. They awaken in a truck packed with frozen human corpses, only a stop away from a human meat processing conveyer belt. The facility they’re in is pure nightmare fuel: people are fattened up with synthetic feed, then dismembered, bred or fed to monstrous, alien-like creatures with insectoid features.
It’s a twisted and relentless manga, packed with gore, body horror and sci-fi dystopia. The creature design is fantastically repulsive, and the art is consistently intense and brutal. We witness graphical violence, breeding chambers and fleshy, bug-eyed monsters.
While Starving Anonymous starts as pure survival horror, it gradually shifts into action territory, introducing regenerating humans and other bizarre twists. It can get wild and uneven, but its core terror never fades. The central premise of humans as livestock for an alien species is strong enough to sustain the madness.
While it’s not the most refined or philosophical horror manga out there, Starving Anonymous earns its place for its sheer shock value and relentless grotesquery. For those who enjoy it, there’s also a sequel series that continues the story in an unexpected but compelling new direction.
Godchild might be a shojo manga, but it’s far more haunting and disturbing than it first appears. It’s a gothic thriller set in 19th century London and follows Cain Hargreaves, a young nobleman with a tragic past. Over the course of the story, he investigates a string of macabre crimes alongside his loyal servant Riff and his half-sister Mary Weather.
At first glance, Godchild may not look like a traditional horror manga. Its delicate, ornate artwork reflects its shojo roots, and the story carries an almost theatrical tone. But underneath its beauty lies a world filled with deadly poisons, child murders, twisted cults, and psychological torment.
The crimes Cain uncovers are often shocking and deeply unsettling plots drenched in Victorian horror. It almost feels like a gothic, horror-infused version of Sherlock Holmes.
@ Yuki Kaori – Godchild
What truly elevates Godchild, however, is its overarching narrative. As Cain digs deeper into London’s dark underbelly, he unearths a sinister web of secrets tied to his own family and a secret organization known as Delilah.
The manga also features elements of BL (boys’ love), but they’re subtle, tragic and thematically rich rather than fanservice-driven.
Godchild is actually the continuation of The Cain Saga, also by Kaori Yuki. While the prequel is very much worth reading, Godchild stands as the superior work, boasting more refined art, stronger storytelling and deeper emotional stakes.
While not a horror manga in the traditional sense, its gothic atmosphere, disturbing crimes, and psychological cruelty absolutely justify its inclusion. Godchild is a must read for fans of gothic mystery, dark romance, and elegant horror.
Soil by Atsushi Kaneko is one of those rare manga where you reach the end, realize you loved the experience… and still don’t know what you just read.
What starts as a routine mystery, the disappearance of a family in the idyllic, suburban ‘Soil New Town,’ quickly spirals into a surreal, increasingly incomprehensible descent into madness. Two detectives, the abrasive Yokoi and the more grounded Onada, begin investigating, but as they dig deeper, the town’s strange underbelly reveals itself through eerie characters, bizarre events, and an atmosphere thick with dread and absurdity.
The art in Soil takes some time getting used to. At first glance, it may seem stiff or simplistic, but it evolves as the story descends into chaos. Kaneko’s stylized visuals gradually shift into a distorted, dreamlike visual language that mirrors the story’s unraveling logic.
While Soil’s mystery is gripping in the beginning, it eventually becomes less about plot resolution and more about immersing the reader in creeping unease. Its characters are flawed and human, sometimes eccentric to the point of discomfort. Especially Yokoi stands out, who is among the most unpleasant protagonist I came upon.
The final act becomes almost impenetrably strange. Questions multiply, logic dissolves, and the manga offers almost no answers. Whether this is genius or indulgence will depend on your taste, but one thing is certain: Soil is an unforgettable experience.
It’s a disturbing, surreal and, at times, frustrating journey, but for fans of weird fiction, psychological horror, and unconventional storytelling, it’s one of the most unique horror manga you’ll ever read.
I Am a Hero by Hanazawa Kengo is one of the most unique zombie horror manga ever written. What sets it apart isn’t just the grotesque infected, or the bleak apocalyptic setting, it’s the protagonist. Hideo Suzuki is a 35-year-old manga assistant suffering from schizophrenia. He talks to people who aren’t there, hallucinates, and is deeply insecure and alienated from society.
And then the world ends.
The outbreak begins slowly, but once the infected finally appear, they aren’t just zombies. Instead, they are malformed horrors frozen mid-sentence, often repeating their final thoughts while tearing people apart. Over time, they take on more bizarre forms, mutating into fleshy, towering abominations, and even merging into monstrous hive-minds. The body horror here is exceptional.
What makes I Am a Hero shine most, though, is its grounded realism. Hideo is not your typical action hero. He hesitates, panics, and overthinks constantly. Watching someone so mentally fragile trying to survive in such a brutal world gives the story its unique emotional core.
The series later shifts focus to other characters, some even stranger, and less compelling, making the manga slightly less enjoyable. The most controversial part, however, is the manga’s abrupt ending. Many readers were left wondering if the manga was cut short (officially it wasn’t, but it feels that way).
Still, even with its flaws, I Am a Hero remains a masterclass in zombie horror. Its psychological depth, surreal atmosphere and terrifying creature design make it an unforgettable experience, and one of the best horror manga of all time.
Centuria by Tooru Kuramori is a stunning new dark fantasy manga. It opens with a brutal prologue that outshines many modern horror manga. Set aboard a slave ship adrift in a storm, 99 slaves are slaughtered before a mysterious sea god intervenes. In exchange for one last sacrifice, the god bestows incredible power upon a lone survivor, a teenage boy and former slave named Julian.
After he survives an onslaught of sea creatures, he comes to live in a small village, befriending the locals. Yet his unique situation soon draws the attention of darker forces.
Centuria blends historical grit with supernatural horror. From tentacled sea gods to grotesque multi-headed beasts, it evokes a distinct Lovecraftian energy. The creature design is nothing short of fantastic, and rivals the best in the medium: twisted, organic, and deeply unsettling.
@ Kuramori Tooru – Centuria
Visually, this manga is breathtaking. The art is richly detailed and cinematic, drawing comparison to such masterpieces as Berserk and Dorohedoro. Its world is beautiful, highly detailed, showcasing vast nature and terrifying threats in all their glory.
That said, while Centuria’s aesthetic and its early chapters scream grim dark fantasy, the story leans closer into dark shonen than seinen. The moral complexity I was hoping for is almost nonexistent. Characters are painted in broad strokes. They are good or bad, heroic or cruel. Yet Centuria is still early in its run, so these aspects might deepen as the story continues.
Even so, Centuria is a must-read for fans of dark fantasy and horror manga. It may not be the next Berserk, but its vivid art and cosmic undertones make it a standout amongst recent manga.
Noah of the Blood Sea by Yuu Satomi is a stylish, emotionally charged vampire horror manga set aboard a cruise ship, but with a deeply gothic twist. What begins as a glamorous family vacation quickly devolves into a claustrophobic nightmare filled with bizarre, violent events and vampiric terror.
The manga opens strong. Early chapters are easily the most compelling, immersing the reader in slow-burn dread. A standout moment involves a stage show gone wrong, in which passengers are seemingly murdered, only to return unharmed. And yet, our protagonist, Kakeru, suspects something impossible: are those really the same people?
From here on out, the horror only ramps up.
Noah of the Blood Sea plays with classic vampire tropes: the predator prey dynamic, the human livestock metaphor, and the pain of transformation. Yet it gives all of it a unique flavor.
@ Satomi Yuu – Noah of the Blood Sea
While the emotional and disturbing moments hit hard, the manga has its weaknesses. It is face-pasted, almost too fast. Many side characters are only introduced to be killed, and shifting perspectives can make it hard to grow attached to anyone. Especially towards the end, the narrative spirals into chaos, leaving more threads hanging than it resolves.
That said, the art is consistently strong. Interiors are lavish and atmospheric, and the visual horror is delivered with striking impact.
Noah of the Blood Sea may not be perfect, but it’s still a unique blend of horror, mystery, dread, and outright vampire carnage. It absolutely earns a spot on this list of the best horror manga.
Parasyte is one of the foundational horror manga of its kind. It’s a blend of sci-fi and body horror from the late 80s and early 90s that still holds up today. Written and illustrated by Hitoshi Iwaaki, it explores themes of identity, survival, and what it truly means to be human.
The story follows high school student Shinichi Izumi, whose life is upended when a mysterious worm-like creature burrows into his body. He wakes up mid-invasion, preventing the parasite from reaching his brain, and only inhabits his right arm. The result is a bizarre symbiosis: both Shinichi and the creature, Migi, keep their individual consciousness and must learn to coexist.
Yet Migi is one of many. Other parasites are successfully taking over human hosts and using their bodies to hunt and consume other humans. As Shinichi becomes entangled in their world, he’s forced to confront his own humanity, as the lines between man and monster begin to blur.
Parasyte thrives on paranoia and disgust. You never know who’s still human and who’s an alien shapeshifter. While there are moments of black humor, the horror is front and center. Parasyte is gruesome, featuring copious amounts of graphic and visceral violence. Bodies are shredded, twisted and contorted in nightmarish ways.
Despite being over three decades old, Parasyte remains one of the most compelling horror manga ever written. It’s a brilliant mix of action, philosophy, and grotesque alien terror.
MPD Psycho is a manga I started reading years ago, back when it first began serializing. I only read a few chapters, but the imagery stayed with me. It was sharp, shocking and unforgettable. Recently, I picked it back up and finally finished it, and I’m more than glad I did.
The story follows Kazuhiko Amamiya, a detective suffering from multiple personality disorder. At first, the manga seems like a gritty, episodic crime thriller in which Amamiya, or one of his personalities, solves grotesque and bizarre murder cases. Yet things quickly spiral into something much bigger. What begins as detective noir turns into in an elaborate conspiracy layered psychological horror thriller.
Visually, MPD Psycho is stunning. Shou Tajima’s art is clean, detailed, and disturbingly precise. Crime scenes are intricately rendered and full of graphic violence. We witness dismembered bodies, twisted corpses, and brutal torture. It’s stomach churning, but also eerily fascinating.
MPD Psycho is much more than gore and shock value, though. It’s a deeply psychological horror manga. The manga explores the fragility of identity, memory, and morality, using Amamiya’s fractured mind as a lense. This fractured mind, however, is also the manga’s biggest hurdle. The shifting personalities can become difficult to follow, especially as the overarching plot grows more convoluted.
It’s a challenging read, narratively dense, morally bleak and full of disturbing imagery. But if you’re looking for a horror manga that pushes boundaries, both visually and psychologically, I highly recommend MPD Psycho. It’s brutal, brilliant and unforgettable.
@ Inoryuu Hajime, Itou Shouta – My Dearest Self With Malice Aforethought
My Dearest Self With Malice Aforethought is one of the most addictive thriller manga I’ve ever read in years. It’s not a horror manga per se, but I’d still like to include it on this list.
The story follows Eiji Urashima, a seemingly average college student who wakes up one morning next to a beautiful girl claiming to be his girlfriend. The problem is, he doesn’t know who she is. Even worse, when he tries to piece things together, he realizes several days have passed without him noticing.
What starts as a mild case of memory loss quickly escalates into something much darker and much more twisted.
This manga is absolutely insane when it comes to plot twists. In the first half, there’s a massive revelation every few chapters, throwing everything you knew completely out the window. I loved it. The pacing was relentless, and the sheer unpredictability of the story kept me glued to every chapter. Yet this is not for everyone, and some people might find it not only overwhelming, but disjointed and cheap.
@ Inoryuu Hajime, Itou Shouta – My Dearest Self With Malice Aforethought
Even worse, while I thought all the twists made sense in the story’s internal logic, the plot becomes downright outlandish as it goes on.
Another downside is the manga’s second half. After it’s thrilling first half, the story slows down, the chaos is reigned in, and it moves steadily toward resolution. It’s not bad, but it lacks the electrifying tension of its earlier chapters.
Even so, My Dearest Self With Malice Aforethought left a strong impression on me. It’s the type of manga that gets under your skin, not because of gore or graphical violence, but because of how it manipulates your expectation.
Attack on Titan is one of the most iconic and ambitious manga of the past two decades. While it’s more a dark fantasy action series than outright horror, its early arcs are full of gruesome deaths, relentless dread, and terrifying humanoid monsters. Thus, it deserves a place on this list.
The story is set in a world where humanity is on the brink of extinction, hiding behind enormous walls to protect themselves from Titans, giant mindless beings who devour humans for no reason. What starts as a simple survival manga about a boy named Eren Yeager soon turns into something much bigger and far more complex.
At first, Attack on Titan feels like a desperate fight for survival. The Titans are horrifying, not because they are grotesque, but because they aren’t. They look like blank-faced, grinning humans. They are uncanny and emotionless. Their violence is sudden, senseless and deeply disturbing. The earlier chapters deliver constant tension, fear and high-stakes action.
As the story progresses, though, it shifts. The latter half pivots into political intrigue, conspiracies, and war. The mystery of the Titans is peeled back, and the horror gives way to something more grounded, but equally dark, eventually culminating in one of manga’s most divisive endings.
The art is another point of contention. Early chapters are rough, distractingly so. Hajime Isayama’s style improves rapidly though, and the manga shines in later arcs. The fight scenes become more visually striking and fluid, and the wide shots of cities are gorgeous.
Attack on Titan may not be a traditional horror manga, but its haunting atmosphere, brutal world and terrifying monsters make it one of the most unforgettable dark manga ever created.
The Summer Hikaru Died by Mokumokuren is one of the most compelling new horror manga in recent years. It begins with a simple but chilling premise: Yoshiki, a boy in a quiet mountain village, knows his best friend Hikaru is no longer the same. He looks like Hikaru, he talks like Hikaru and even remembers things that only the real Hikaru would know. Yet he’s something else.
The manga wastes no time revealing this. Hikaru’s true nature is established in the manga’s first chapter, giving the story a cosmic horror edge. At times, Hikaru’s true form spills out into something massive and otherworldly: a writhing, incomprehensible shape of pulsating patterns and alien beauty.
What makes The Summer Hikaru Died so powerful isn’t just the horror, though the tension and unease are real and almost constant. It’s the emotions. This is a tender, deeply introspective story about grief, love and identity. Yoshiki isn’t just afraid. He’s in mourning. But he can’t let go. There’s a quiet emotional resonance in his decision to stay by the new Hikaru’s side, even when he knows this being is something else entirely.
@ Mokumoku Ren – The Summer Hikaru Died
There are clear BL (boys’ love) elements here, but they’re handled with care and sincerity. There’s even an early scene in which Yoshiki plunges his hand into Hikaru’s body. It’s unsettling and uncomfortable, but undeniably intimate, a metaphor for connection, sex, and the confusion of adolescence.
The manga also draws from Japanese rural folklore, adding a creeping mystery to the story, centering on a local deity known as Nounuki-sama.
If you like cosmic horror mixed with emotional intimacy, coming-of age melancholy, and a creeping mystery, this one’s a must read.
Franken Fran by Katsuhisa Kigitsu is one of the most bizarre and unforgettable horror manga out there, and that’s why it belongs on this list.
At its core, Franken Fran is an episodic, medical horror manga. Each chapter introduces a new patient, a new problem and a new grotesque solution offered by Fran, the stitched-up successor of a famous mad scientist. She means well, but her surgical experiments often end in horror.
Tonally, the series is all over the place. It bounces between twisted satire, gross-out horror, and surprisingly tender vignettes. There’s an unforgettable chapter about a vampire who longs to die. Another about a girl rebuilt into something unrecognizable. Then there’re the brain babies, stitched-up dog-men, bug transformations, and so many more.
The artwork is excellent, especially when it comes to the horror. Organs, gore, surgeries, and bizarre body horror are rendered with precision and flair. Fran’s world is one where intestines spill freely, and science stretches the limits of life and death.
Not every chapter lands, though. Some veer a little too silly or shallow. But even then, the sheer imagination at play keeps you reading. There’s also its sequel Franken Fran Frantic, but it’s quite a bit weaker than its predecessor and leans even more into dark satire.
Despite its flaws, Franken Fran is a standout in the medical horror niche. It’s gross, funny, sometimes thoughtful, but always weird. If you’ve got the stomach for it, and a love for episodic madness, it’s absolutely worth reading.
N is one of the most chilling modern horror manga. Written by Kurumu Akumu and illustrated by Niko to Game, this horror manga delivers creeping dread and disturbing imagery in spades.
At first glance, N feels like an anthology. Each chapter presents a different short horror tale: a strange disappearance, an unsettling live stream, a haunting urban legend. As you read on, however, a sinister thread pulls everything together. A mysterious group called N seems to be behind it all.
While the plot is cryptic, it’s never directionless. Slowly, pieces fall into place, and by the end of volume two, the story ties its events together, but still leaves you with enough unanswered questions to keep you curious. It’s the type of manga that rewards careful reading.
@ Kurumu Akumu, Niko to Game – N
The art might seem rough at first. It’s sketchy, the line work can be chaotic, but when the horror hits, it hits hard. The distorted faces, uncanny smiles, and surreal composition create genuinely terrifying panels. This style adds to the unease, amplifying the fear that runs through every chapter.
N stands alongside such horror staples as PTSD Radio and Fuan no Tane, continuing the tradition of Japanese urban horror while introducing its own unique mythos. It’s unsettling, gripping and genuinely frightening in a way few modern horror manga are.
Though currently on hiatus, a continuation has been teased, and based on what’s been published so far, N is absolutely worth reading. If you’re looking for a modern horror manga that will make your skin crawl and keep you up at night, this one’s for you.
Mieruko-chan is one of the most unique horror manga I’ve read, and that’s exactly why I love it.
The premise is simple but effective. Miko Yotsuga is a high school girl with the ability to see ghosts. They are horrible and grotesque things that no one else can perceive. But here’s the twist: she doesn’t confront them, doesn’t run from them, or even acknowledge them. Instead, she does everything in her power to pretend she can’t see them, because the ghosts only target people who react.
That’s the brilliance of Mieruko-chan. It’s not about surviving an attack or solving a mystery, it’s about enduring the unbearable. Miko navigates her daily life, often surrounded by horrifying creatures, while doing her best to stay calm, composed, and unnoticed.
This leads to a fantastic blend of horror and slice-of-life comedy. Some scenes are laugh-out funny, while others are deeply unsettling. This contrast works surprisingly well, keeping the story fresh and unpredictable.
The greatest part about the manga is, without a doubt, the creature design. It’s easily amongst the best in modern horror. The ghosts Miko encounters are pure nightmare fuel. They are twisted, dripping and howling entities that feel both imaginative and wrong in all the right ways. The level of detail in their design is staggering, contrasting extremely well with the manga’s otherwise cute and simple style.
While the plot expands with new characters and lore, it never strays far from its core premise: the quiet horror of pretending everything is okay when it’s very much not.
It’s weird, creepy, and oddly funny, but that’s what makes Mieruko-chan so special.
Genres: Horror, Comedy, Supernatural, Mystery, Slice of Life
DRLC Midnight Children is one of the most stunning horror manga on this entire list, perhaps even the most beautiful. Created by Shinichi Sakamoto (The Climber, Innocent), this gothic horror retelling of Dracula is a surreal, elegant nightmare drenched in atmosphere and drawn with breathtaking detail.
Set in Whitby School, where a young girl named Mina becomes the first female student, the story begins grounded but soon slips into darkness. Count Dracula arrives, bringing unspeakable evil that threatens not only Mina, but her dear friend Lucy. What follows is a twisted and artistic reimagining of Bram Stoker’s classic full of cryptic dreams, monstrous transformations, and eerie, poetic horror.
Sakamoto’s art is nothing short of jaw-dropping. Every page is intricately composed, from haunting graveyards bathed in moonlight to grotesque monstrosities that emerge from the shadows. The manga’s beauty enhances the horror, creating a dreamlike quality where even the most terrifying moments feel mesmerizing. The paneling is unorthodox, the sequencing fluid and cinematic, and the whole thing reads like a fever dream.
@ Sakamoto Shinichi – DRCL Midnight Children
The storytelling is deliberately complex. Sakamoto embraces a non-linear structure, often weaving thoughts, memories and metaphors into the narrative. It can be challenging to follow at times, but that complexity is part of the mangas allure.
DRCL Midnight Children is not just a vampire manga. It’s gothic horror in its purest form: a sensual, unnerving descent into blood, darkness, and obsession. If you’re looking for a traditional horror work, you might find it too abstract. But if you want a visually intoxicating, emotionally layered retelling of Dracula, this is one of the most unique and beautiful horror manga you’ll ever read.
Goth is a short but striking horror manga that holds a special place in my heart because it was one of the first horror manga I ever read. Even now, I consider it one of the best.
Based on the novel by Otsuichi and illustrated by Kenji Ooiwa, Goth follows two high school students, Itsuki Kamiyama and Yoru Morino, who share a fascination with death and murder. But unlike typical horror protagonists, they aren’t innocent victims or heroic investigators. They are just as twisted and disturbed as the killers they observe. This inversion alone makes Goth stand out.
The manga is told as a series of loosely connected cases. Each chapter is dedicated to a different, gruesome murder. While Kamiyama often ends up solving the crime, it’s clear he’s more interested in the killers and their gruesome deeds than in justice.
Goth isn’t a long read, but it’s dense with morbid atmosphere. Its art isn’t outstanding, but shines with comes to depicting graphic violence and disturbing scenarios. The murder scenes are vivid, unsettling and downright grotesque.
That said, the manga’s brevity is double-edged. Itsuki’s dark tendencies are intriguing, but are never fully explored. The same goes for Morino, whose past is lightly touched upon. Thus, both characters can feel rather shallow by the end.
Still, Goth is memorable and disturbing and quite different from other horror manga. Even with its flaws, it delivers a chilling narrative full of twisted characters.
While I’m sure nostalgia plays a role in how much I love it, Goth remains one of my favorite horror manga.
Fraction is one of the most insane, inventive and disturbingly brilliant horror manga I’ve ever read. Written and illustrated by Shintaro Kago, the king of absurdist horror, the manga starts as a gruesome serial killer mystery. Yet it quickly devolves into a mind-bending meta-narrative masterpiece that plays with form, structure and your expectations.
The story opens with The Slicing Devil, a deranged serial killer who murders his victims by slicing them in half. That alone would make for a solid, violent thriller. But then Kago does what he does best: he breaks the narrative and inserts himself as a character in his own manga.
What follows is a surreal exploration of storytelling itself. Kago’s character analyzes the serial killer case while giving long explanations of narrative techniques, genre conventions, and authorial intent. These moments are wildly self-aware, deeply clever, and ultimately lead to one of the greatest twists in manga. When it hit, I dropped my jaw and could only stare at the page. That’s how good it is.
@ Shintaro Kago – Fraction
After this, we return to the Slicing Devil, but with a tonal shift that leans into the typical absurdist nonsense Kago is so known for.
The volume also includes several standalone stories, each bizarre in their own right. Voracious Itches is the standout here. It’s an absolutely revolting piece of body horror that has stayed on my mind for years now.
Fraction is not for everyone. It’s chaotic, offensive, and structurally insane. But for fans of experimental horror and meta-narratives, this is essential reading.
Hellsing is a cult classic horror-action manga, and one of the most stylish, over-the-top series on this list. Written and illustrated by Kouta Hirano, this blood-soaked saga follows Alucard, an immortal vampire who works as the ultimate weapon for the Hellsing Organization, a secret British group dedicated to hunting monsters.
Unlike the gothic elegance of something like DRCL Midnight Children, Hellsing is pure chaos and carnage. Alucard is the definition of an overpowered antihero. He’s smug, sadistic, and nigh unstoppable. He’s joined by Seras Victoria, a newly turned vampire struggling with her humanity, and Integra Hellsing the no-nonsense leader of the organization.
Together they battle their way through a barrage of grotesque enemies, including zombies, werewolves, and most infamously, the Nazi vampires of the Millenium organization.
@ Kouta Hirano – Hellsing
Hellsing’s tone is consistently outrageous, but that’s part of its charm. Everyone is this manga is a badass, from the fanatical priest Alexander Anderson to the cigar-smoking Major, whose villain speeches are as theatrical as they are insane. Every battle is brutal, explosive, and dripping with dramatic flair.
While the art starts off rough, by volume 3 it evolves into something truly distinctive. Hirano’s use of heavy line work, crisp backgrounds, and intense panel composition gives the series a gritty, cinematic feel. It’s messy, but stylish in a way few other manga pull off.
Hellsing isn’t for readers looking for subtle or slow-burn horror. This is adrenaline-pumping, over-the-top vampire carnage, and it’s incredibly fun.
Nikubami Honegishimi by Paregoric is one of the most promising new horror manga out there. Told across two timelines, this atmospheric mystery blends urban legends, grotesque creatures, and a creeping sense of dread.
The story begins in 1999, with eccentric occult magazine editor Inubosaki and her photographer friend Asama investigating a wave of bizarre paranormal events. Each case feels like its own short horror story, featuring cursed dolls, twisted monsters, or surreal sightings. Decades later, in 2023, Inubosaki’s nephew seeks the truth behind her untimely death and tracks down Asama, now a full-fledged psychic. The story flips between past and present, weaving a dark mystery tied to Inubosaki herself.
Nikubami Honegishimi is episodic at first, but there’s a clear overarching plot brewing beneath it. It’s deliberately paced, which gives the horror room to breathe. The scares don’t rely on gore or violence, but stem from slow-burning tension.
@ Paregoric – Nikubami Honegishimi
The art in this manga needs some getting used to. It’s sketchy, and the character design can look odd or exaggerated, especially in the case of Inubosaki’s cat-like, comical expressions. Where it truly shines is in terms of atmosphere and creature design. The monsters are grotesque, surreal, and genuinely nightmarish, with some of the best horror imagery in recent manga.
It’s still early in its run, but if you’re a fan of horror manga, urban legends, or unique art styles, Nikubami Honegishimi is a must-read title. Keep your eye on this one. It might very well become a modern horror classic.
Tokyo Ghoul is one of the most iconic and widely read horror manga of the 2010s. Written and illustrated by Sui Ishida, it blends supernatural horror with action, tragedy, and urban fantasy in a unique and stylish way. At its peak, it delivers some of the most atmospheric and beautiful drawn scenes in modern manga.
The story follows Ken Kaneki, a bookish college student who is attacked by a ghoul, monsters that look human but must feed on human flesh to survive. After an emergency organ transplant, Kaneki becomes half-ghoul himself. Unable to eat normal food and teetering between two worlds, he takes refuge at Anteiku, a cafe that secretly shelters ghouls. What begins as a tale of survival soon spirals into something much bigger, involving secret organizations, ghoul investigators, and devastating battles.
Tokyo Ghoul’s early chapters are where the horror truly shines. We witness the terror of bodily transformation, the eerie coexistence of ghouls among humans, and the existential dread of losing one’s identity.
The art is a major standout. Ishida’s use of inky shadows, abstract layouts, and detailed character designs gives Tokyo Ghoul a moody, distinctive look. His designs for kagune, ghoul weapons, are especially striking. However, action scenes can become chaotic or hard to follow, particularly in later parts of :re.
As for characters, reactions vary. Kaneki’s transformation from meek student to tragic antihero is divisive. Some see it as a compelling arc of trauma, others as overly edgy. The supporting cast is robust all around, with fan-favorites like Amon, Arima, and Urie, adding depth and drama.
Despite its flaws, Tokyo Ghoul remains a must-read. It’s dark, ambitious and often breathtaking, especially if you’re drawn to horror manga with emotional weight, heavy themes, and stylish carnage.
Yuuan no Kanata is one of the most promising new horror manga in recent years. Serialized in 2023, it follows Kanata, a woman who, after a traumatic experience, completely lost her ability to feel fear. To fill this void, she chases the supernatural, searching for the one moment that might finally terrify her again.
The manga unfolds in an episodic structure, presenting us with a variety of paranormal encounters. While Kanata serves as the series anchor, several chapters shift to other characters, include a ghost-seeing live-streamer, a skeptical journalist, or a mourning father. These characters all eventually cross paths with Kanata, adding layers of perspective to the overarching narrative.
What sets Yuuan no Kanata apart is its phenomenal art. The ghosts and supernatural entities are rendered in stark black ink and layered textures, creating a nightmarish contrast to the otherwise realistic setting. The way these beings emerge from the shadows is genuinely unsettling, often evoking a visceral jolt of dread.
@ Koike Nokuto – Yuuan no Kanata
Despite its shifting perspective, the manga remains cohesive. The stories are self-contained but thematically connected, exploring how people rationalize or fall apart when confronted with the unexplainable. Kanata, though enigmatic, is a compelling protagonist, and a rare glimpse into her past suggests a deeper story yet to unfold.
If you’re looking for true, atmospheric horror that isn’t just about gore or violence, Yuuan no Kanata is a must-read. It’s beautifully drawn, and filled with quiet, creeping terror. With its strong debut and haunting visual style, it might just become the next standout in modern horror manga.
Genres: Horror, Supernatural, Mystery
Status: Ongoing (Seinen)
17. 6000
@ Koike Nokuto – 6000
6000 is a claustrophobic, visually arresting descent into deep-sea terror, and one of the rare manga to fully embrace cosmic horror. Set aboard a derelict research facility 6000 meters beneath the ocean’s surface, it tells the story of a crew sent to investigate a series of unexplained accidents. As they descend into the depths, reality begins to fray, hallucinations become commonplace, and it becomes clear something sinister is at work.
What immediately stands out is the atmosphere. The art is rough, scratchy and drenched in black ink, amplifying the manga’s oppressive mood. While earlier chapters can drag a little, every location, hallway, and shadow feels slightly off. When the horror finally hits, it’s nothing short of disturbing. We bear witness to sinister rituals, bloated corpses and Lovecraftian entities.
@ Koike Nokuto – 6000
6000 relies heavily on visual storytelling. The sprawling undersea station is difficult to parse and feels disorienting. Panel transitions become cryptic, events blend together, and perspectives shift without warning. Many of the story’s key events are presented almost entirely through visuals, making it a more than challenging read. Yet this all adds to the surreal, dread-soaked tone that mirrors the character’s psychological breakdown.
6000 may not be for everyone. Its characters are thin, and the plot is convoluted. As a horror experience, however, it shines by how unnerving, grim and terrifying it is. As a fan of cosmic horror and the works of H. P. Lovecraft, this manga’s one of my absolute favorites. If you haven’t heard about it before, definitely check it out. It’s one of the most unique, yet underrated horror manga on this list.
At the Mountains of Madness is arguably H. P. Lovecraft’s most iconic work, and this manga adaption by Gou Tanabe captures its overwhelming dread with chilling precision.
The tale follows an ill-fated Antarctic expedition led by Dr. William Dyer of Miskatonic University, who hopes that by recounting his team’s discoveries in the frozen wastes, he can prevent future expeditions from repeating the same mistake.
As the explorers venture deeper into the ancient ice, they uncover remnants of a pre-human civilization and cryptic fossilized remains. Yet they soon realize the ruins are not as dead as they seem. What begins as a scientific mission unravels into a journey through cosmic horror, isolation, and existential insignificance.
@ Gou Tanabe – At the Mountains of Madness
Gou Tanabe’s adaption is a masterclass in visual horror. His hyper-detailed line work, heavy shadows, and stark contrasts perfectly mirror the bleak tone of Lovecraft’s writing. Massive panels showcase impossible architecture and desolate Antarctic vistas, evoking both awe and unease. When the horror of Lovecraft’s monstrosities is finally revealed, the payoff is grotesque and majestic.
Few creators have managed to translate Lovecraft’s unique brand of cosmic dread to visual media as successful as Tanabe. His work is meticulously paced and atmospheric without sacrificing narrative clarity. At the Mountains of Madness is not just a retelling; it’s a tribute that fully understands the scale, fear, and awe of the original.
Whether you are a fan of H. P. Lovecraft or eerie, slow-burn horror manga, this adaption is a must-read. Gou Tanabe’s Lovecraft adaptions are amongst the finest horror manga ever created, and At the Mountains of Madness might be his crowning achievement.
BIBLIOMANIA is a mesmerizing descent into madness, one of the most visually stunning horror manga ever published, and a must-read for fans of grotesque body horror and surreal storytelling.
The story follows Alice, a young girl who wakes up in Room 431 of a strange, decaying manor. A talking serpent warns her not to leave, or her body will rot. Naturally, she ignores the warning, beginning a fever-dream-like journey through a mansion filled with bizarre locations, horrifying beings, and increasingly disturbing transformations. With each new room, Alice’s form contorts further, her humanity slowly slipping away.
Written by Oobaru and illustrated by Macchiro, BIBLIOMANIA is as much a showcasing of visual horror mastery as it is a story. Macchiro’s art is astonishing. Every panel is intricately detailed, with a level of craftsmanship that turns even the most grotesque imagery into something eerily beautiful.
@ Oobaru, Macchiro – BIBLIOMANIA
Alice’s childlike and whimsical design, stands in jarring contrast to the nightmarish environments and body horror that surrounds her. This contrast only amplifies the manga’s surreal, dreamlike atmosphere.
While loosely inspired by Alice in Wonderland, BIBLIOMANIA carves its own identity. It’s not just a story, but a layered descent into madness. Words can’t even do it justice, and it has to be experienced to be believed.
At under 100 pages, BIBLIOMANIA is short, but unforgettable. Its beauty is haunting, and its horror deeply unsettling. If you’re looking for something truly unique, that blends elegance, body horror and surrealism, BIBLIOMANIA is a must-read.
Blood on the Tracks is a masterclass in psychological horror, and one of the most haunting horror manga of the past decade. Written and illustrated by Shūzō Oshimi, the series tells the story of Seiichi Osabe, a quiet middle schooler with a loving family and overprotective mother. What begins as an uncomfortable display of smothering affection spirals into a chilling narrative of manipulation, trauma, and emotional decay.
A single horrific incident early in the story changes everything. From that point on, Blood on the Tracks becomes a slow, suffocating descent into psychological control. Oshimi leans into long silences, an oppressive atmosphere, and subtle facial expressions to build dread. Entire chapters revolve around a glance, a forced smile, or a single uttered sentence, each loaded with unbearable tension.
The manga’s slow pace is both its greatest strength and biggest flaw. In the early and middle arcs, this style amplifies the suspense to an almost unbearable level. But as the series nears its conclusion, the pacing feels overdrawn, and the manga loses much of its earlier intensity. The ending itself feels abrupt, but also oddly fitting.
What truly sets Blood on the Tracks apart is the art. Oshimi’s use of close-ups and blank spaces captures fear, hesitation and anguish like few others can. The subtle horror of watching a young boy’s will slowly, methodically erased is more disturbing than any gore.
If you’re looking for a slow, quiet, and deeply unsettling horror manga, Blood on the Tracks is a must-read.
Genres: Horror, Psychological, Tragedy, Philosophical, Slice of Life
Gannibal is one of the most underrated modern horror manga. It’s a tense, slow-burning thriller set in a remote village where cannibalism is more than just a rumor. Written and illustrated by Masaaki Ninomiya, the series blends rural paranoia with psychological dread, delivering one of the most gripping genre entries in recent memory.
The story follows Daigo Agawa, a police officer reassigned to a quiet countryside village with his wife and daughter. But something feels off. His predecessor mysteriously vanished, the locals are strangely evasive, and then there’s the Goto family which is feared by everyone. When a horribly disfigured corpse turns up, Daigo suspects the impossible: the village may hide a legacy of cannibalism.
From the start, Gannibal exudes tension. There’s a suffocating sense of isolation, where every friendly smile could mask a lie. The village itself feels like a character. Ninomiya’s art captures all of this with remarkable skill.
@ Masaaki Ninomiya – Gannibal
Characters are expressive, backgrounds are detailed and when the horror hits, it’s genuinely shocking. The gruesome moments are grisly without being overdone, often hitting harder because of how grounded they feel.
The cast is another standout. Daigo is a multi-layered protagonist, carrying emotional baggage of his own. The Goto family is a masterclass in horror writing, especially characters like Keisuke. They are a menace, yes, but few of them feel cartoonishly evil.
What sets Gannibal apart from other titles is its realism. The horror doesn’t come from ghosts or monsters, but from the disturbing idea that ancient rituals and terrible secrets still linger.
Gannibal is essential reading for every horror manga fan. It’s smart, suspenseful, and terrifying in all the right ways.
Ichi the Killer is one of the most depraved and disturbing manga ever published, but that’s precisely why it earns a place on this list. Created by Hideo Yamamoto, it blends graphic violence with psychological depth in a way few manga dare to attempt.
At its core, Ichi the Killer is a psychological thriller masquerading as an ultraviolent yakuza bloodbath. It follows two opposing characters: Ichi, a manipulated, broken killer, and Kakihara, a sadomasochistic yakuza, searching for his missing boss. As Kakihara hunts Ichi, what unfolds is less a crime story and more a plunge into the minds of two deeply twisted individuals.
What makes Ichi the Killer work is its total lack of filter. Yamamoto hides nothing, forcing the reader to confront the darkest underbelly of society. The manga explores sadism, masochism, identity breakdown, sexual trauma, abuse, and psychological manipulation. Every character is deranged in their own way, yet disturbingly believable.
The violence is extreme, even excessive, but always tied to character and theme. It’s not mindless gore, but a mirror showcasing pain, vulnerability and human depravity. Ichi himself is especially tragic. He’s nothing but a weeping, terrified young man manipulated into acts of brutal savagery.
The art is unpolished and raw, but that fits the tone. Exaggerated expressions and detailed violence reflect the manga’s emotional volatility. Yamamoto’s style might not be beautiful, but it’s brutally effective.
If you can stomach its content, Ichi the Killer is a disturbing masterpiece. It’s extreme, but also layered, provocative, and one of the most fearless psychological horror manga ever drawn.
Fuan no Tane is one of the most effective and unsettling horror manga ever created, and it achieves this without a plot, characters, or even dialogue in many cases. Written by Masaaki Nakayama, this minimalist masterpiece focuses purely on fear, functioning as a collection of micro-horror stories based on urban legends, ghost sightings, and local superstitions.
Each entry is just a few pages long, usually centered on a theme such as ‘school’ or ‘home visits.’ There’s no buildup, no explanation, just a sudden jarring encounter with something supernatural. Most stories end abruptly, often right at the moment of the horror, leaving you unsettled and curious.
What makes Fuan no Tane work is its laser focus on atmosphere and timing. The manga strips horror down to the essentials: a creepy presence, a dark hallway, a glimpse through a window, and lets your imagination do the rest.
Nakayama’s style appears relatively grounded at first, but when the horror hits, it hits hard. The distorted faces, dead eyes, and monstrous apparitions are genuinely terrifying, with fantastic use of contrast and paneling to heighten the unease.
Some entries lean more toward dark comedy or weirdness, but most are straightforward scare pieces. It’s a perfect pick for fans of J-horror or bite-sized terror.
For those who want more, there are two follow-up series: Fuan no Tane+ and Fuan no Tane*.
If you’re looking for pure, distilled fear in manga form, Fuan no Tane is a must-read.
Cainsaw Man is pure, beautiful madness. A chaotic blend of ultraviolence, absurd humor, and supernatural horror, it stands as one of the most original shonen manga of the past decade. It’s a mast-read for any horror manga fan open to something unconventional.
The story follows Denji, a young man at the end of his luck who merges with his pet devil Pochita and becomes Chainsaw Man, a grotesque creature with chainsaws bursting from his arms and head. After being recruited into the Public Safety Bureau, Denji fights devils alongside a cast of increasingly unstable allies.
While technically a supernatural action shonen, Chainsaw Man absolutely belongs on a horror list. From the grotesque devil design to the graphic violence and existential dread, Tatsuki Fujimoto leans hard into territory few shonen dare to touch. The devils themselves are nightmarish, with appearances and abilities based on humanity’s primal fears.
The manga’s brilliance lies in its tone. It oscillates between absurdity and tragedy with alarming ease. One chapter might be pure comedy, and the next a brutal, nihilistic gut-punch. Denji, initially an idiotic pervert chasing cheap thrills, evolves into a surprisingly layered character. His allies, especially Power and Aki, all bring emotional depth and chaos to the table.
Fujimoto’s art style is raw, sketch, and emotionally charged. It’s messy in the best way, packed with energy, violence, and dreamlike imagery. When the fights get going, they are frantic, gory and often emotionally devastating.
Chainsaw Man is not a traditional horror manga, but its grotesque violence, eerie devils, and soul-crushing story easily place it amongst the genre’s most impactful new entries. It’s funny, terrifying, and unlike anything else out there.
PTSD Radio is a spiritual successor to Fuan no Tane, once again written and illustrated by Masaaki Nakayama. At first glance, it appears to be another anthology of disconnected supernatural shorts, but slowly, a pattern emerges. These disturbing glimpses into urban life are all tied together by one recurring element: hair.
Whether it’s ghosts made of hair, people tormented by the fear of losing it, or haunted by invisible strands, the theme builds until we’re introduced to a terrifying presence known only as the God of Hair, a mysterious entity that looms over the entire series. It’s never fully explained, but its influence is unmistakable, giving PTSD Radio a loose yet satisfying overarching narrative.
Like Fuan no Tane, most chapters are extremely short, some only a page or two long. Nakayama wastes no time on setup or character development, instead dropping the reader straight into each chilling encounter.
Unlike its predecessor, PTSD Radio builds real momentum. The slow realization that everything is connected gives it a creeping sense of dread that only intensifies the further you read.
The art is also a step up. Nakayama’s realistic style remains, but the horror imagery is more detailed, grotesque, and creatively staged. Panels drip with unease, and his monstrous creations, especially the hair obsessed spirits, are the stuff of nightmares.
Short, sharp and utterly unsettling, PTSD Radio is one of the best horror manga for fans of episodic creepiness that builds into something far greater. It’s an easy recommendation for fans of Fuan no Tane, but outshines its predecessor in every way.
How could a retelling of the life of Robert Johnson set in the American South ever work in a manga? Surprisingly, absolutely fantastic.
Me and the Devil Blues is a dark supernatural historical thriller that combines blues mythology, psychological tension, and horror overtones. Written and illustrated by Akira Hiramoto, it’s one of the most original and gripping manga ever created.
The story follows Robert Johnson (RJ), a struggling blues musician in the Jim Crow South. Desperate to play like the greats, he plays alone at a crossroads one night, summoning something that changes his life forever. From this point on, RJs fingers move like magic, and the story spirals into supernatural mystery, violence, and chaos.
While not a pure horror manga, the tension is suffocating. For entire chapters at a time, you’ll find yourself unable to breathe. It’s soaked in dread, paranoia, and a sense that things are always about to break.
The setting is stunningly rendered. Hiramoto’s art is gritty, textured, and intensely detailed, perfectly capturing 1930s rural America. Racism, violence, and desperation hang over every panel. The atmosphere is so thick you can almost hear the music and feel the sweat of the juke joints.
Characters are another standout. RJ is a tragic, passive figure caught in a whirlwind of fate. Real-life figures like Clyde Barrow make an appearance, adding historical weight. Side characters like the ominous Stanley McDonald are written with just as much care and intensity.
Me and the Devil Blues is a hidden gem. It’s an American gothic nightmare told through the lens of Japanese manga. It’s surreal, suspenseful and one of the greatest manga of all time, horror or otherwise.
Genres: Horror, Historical, Psychological, Mystery, Drama
Dorohedoro is one of the strangest and most unforgettable manga ever created. Technically, a dark fantasy action series, it earns its spot on this horror manga list through sheer brutality, grotesque visuals, and surreal tones. It’s part body horror, part comedy, part violent mystery, and somehow it all works.
The story takes place in Hole, a grim, lawless city used by sorcerers from another world to test their magic on helpless citizens. Enter Kaiman, an amnesiac with a reptile head and immunity to magic, who hunts sorcerers in search of his true identity. Alongside his companion Nikaidou, he cuts his way through the magical underworld, drawing closer to secrets stranger than he could imagine.
As the story unfolds, layers of mystery and interconnected fate emerge, culminating in a surreal, violent epic that is downright bizarre.
Despite its violence and disfigurements, Dorohedoro is often hilarious. The humor is absurd, the tone chaotic, and the characters, from mushroom loving villains to giant cockroach man, are just as likely to make you laugh as they are to horrify you. And yet, the manga features copious amounts of gore, showing everything from human experiments to visceral decapitations in graphic detail.
What makes Dorohedoro truly shine is Q Hayashida’s art. It’s gritty, dense, and wildly imaginative. Whether it’s the rundown streets of Hole or the surreal Sorcerer’s World, every panel bursts with personality and texture.
If you can handle its chaos, Dorohedoro is a masterpiece of weird fiction. It’s brutal, hilarious, grotesque and unlike anything else in manga.
Genres: Horror, Fantasy, Supernatural, Mystery, Slice of Life
Homunculus isn’t a horror manga in the traditional sense, but it’s deeply disturbing, psychologically unhinged, and impossible to forget. Written by Hideo Yamamoto, it’s a surreal, cerebral dive into trauma, perception, and identity.
The story follows Susumu Nakoshi, a homeless man living in his car, who agrees to let a young medical student perform trepanation on him, a procedure that involves drilling a hole into the skull. Afterward, Nakoshi sees warped, grotesque versions of people through his left eye: homunculi, symbolic manifestations of their inner trauma.
What begins as a strange experiment quickly becomes a descent into madness. Homunculus evolves into a character study wrapped in psychological horror, exploring themes like vanity, identity disorder, and the grotesque nature of the human psyche.
The disturbing content here isn’t just visual, though there are intense scenes of sexual violence and grotesque body imagery. The real horror lies in the uncomfortable psychological territory the manga explores. Nakoshi’s increasingly erratic behavior and the bizarre truths he uncovers create a suffocating, surreal atmosphere that’s hard to shake.
Yamamoto’s artwork is both grounded and horrifying. The homunculi are rendered in shocking, abstract ways. We see twisted bodies, strange fusions and melting features, turning trauma into visual metaphor. The realism of the art makes the weirdness hit even harder.
While the story is gripping, it eventually spirals into full-blown surrealism. The final chapters become increasingly ambiguous, culminating in a controversial ending that leaves more questions than answers.
Still, for its bold vision and psychological depth, Homunculus earns its place on this list. It’s unsettling, original, and a masterpiece of psychological storytelling, perfect for readers looking for horror rooted not in monsters, but the darkest corners of the human mind.
Genres: Horror, Psychological, Philosophical, Drama
The death game subgenre is one of my favorites in manga, and Kamisama no Iutoori and its sequel are as good as it gets. Written by Muneyuki Kaneshiro, this brutal survival horror manga blends sadistic games, unhinged characters, and escalating chaos into one of the wildest rides in modern manga.
The first part begins with high schooler Shun Takahata, who witnesses his teacher’s head explode before being forced into a deadly game of ‘Daruma-san ga Koronda.’ From there, things only get weirder. The sequel picks up with a new cast before tying back to Shun’s story, raising the stakes in every possible way.
What sets this series apart, aside from its violent creativity, is its cast. While most death games rely on tropes when it comes to characters, Kamisama no Iutoori gives us completely unhinged characters like the genius sociopath Amaya and the fan-favorite Ushimitsu, who transforms from a deranged wildcard into one of the story’s most developed and compelling characters.
The games themselves are surreal and cruel. They are twisted versions of childhood activities with fatal consequences. There’s always a hidden rule or solution, which gives the manga a puzzle-box structure that keeps you turning pages. Unlike more grounded series, this one revels in absurdity and it works.
The art, while decent in Part 1, improves dramatically in Part 2, with Akeji Fujimura delivering detailed spreads and some of the most stylish sequences in the genre. Certain chapters, especially toward the climax, are a visual masterclass in suspense.
While the ending remains divisive, Kamisama no Iutoori is an unforgettable experience. It’s gory, tense, and absolutely deranged, but in all the right ways.
Gantz by Oku Hiroya is beautiful madness. It’s an ultraviolent blend of horror, sci-fi and action that pushes every boundary it can find. While not a traditional horror manga, its grotesque alien design, disturbing themes, and high body count earn it a firm place on this list.
The story follows Kei Kurono, a selfish teenager who dies saving someone, only to wake up in a strange Tokyo apartment with a black sphere named Gantz. He and other recently deceased people are now forced into brutal missions, and tasked with hunting aliens disguised among humans. These missions are violent, chaotic, and fatal. Most newcomers don’t survive their fist.
As the series unfolds, Gantz introduces some of the most creatively bizarre creatures in manga. The carnage is jaw-dropping, and the art, especially during action sequences, is stunningly detailed and cinematic.
What truly sets Gantz apart, however, is its unrelenting darkness. Outside the missions, the world is no better. We witness bullying, assault, rape, and even a mass shooting. Gantz paints a bleak portrait of humanity, amplifying its horror far beyond the battlefield.
Despite its chaos, Gantz features standout character development. Kurono begins as a shallow, selfish teen, but slowly grows into a reluctant, powerful leader. Watching his arc unfold is one of the series’ greatest strengths.
Gantz’s story gets messy. Certain subplots, like the vampire conflict, are introduced, then dropped, and its final arc is rushed and confusing. Yet the raw intensity, unpredictable narrative, and visual brilliance make Gantz unforgettable.
Brutal, grotesque, and utterly unhinged, Gantz is horror-infused sci-fi action at its most unapologetic. It’s not for the faint of heart, but if you can stomach the madness, it delivers something few other horror manga do.
Uzumaki is Juni Ito’s most iconic work, and for good reasons. This three-volume decent into cosmic madness is a masterclass in surreal horror, and one of the most imaginative horror manga ever created.
The premise is simple but terrifying: the town of Kurouzu-cho is slowly consumed by spirals. Not just literal spirals, but the abstract concept itself. Whether it’s hair twisting unnaturally, or bodies contorting into grotesque coils, the spiral manifests in increasingly disturbing ways, and there’s no escaping it.
The story is mostly episodic, following high schooler Kirie Goshima and her boyfriend Shuuichi as they witness one horrifying incident after another. Each chapter brings a new self-contained spiral-shaped nightmare, with Ito pushing his grotesque creativity to the limit. The first two volumes shine in this format, building a cumulative sense of doom and madness.
Ito’s artwork is phenomenal. His clean black-and-white line work is deceptively simple, yet incredibly detailed when it comes to body horror. The visual transformations, from obsessed father to spiral-shaped snails, are disturbing in ways only Junji Ito could conceive. His exaggerated facial expressions and surreal imagery make each page unforgettable.
What makes Uzumaki so haunting is the lack of a clear antagonist. The spiral is not a creature or a villain, it’s a concept, a curse, an inevitability. The cosmic indifference gives it a Lovecraftian edge, especially in the final volume, when the scope of the horror becomes fully apparent.
While Kirie is a weak protagonist and the final volume stumbles slightly by trying to explain the horror, Uzumaki remains a landmark in horror manga. It’s bizarre, bleak, and brilliant. Uzumaki is a must read for anyone interested in horror manga.
Blame! by Tsutomu Nihei is my favorite manga of all time, so I might be biased, but it’s also one of the most haunting and visually overwhelming works ever published. While Blame! is technically a cyberpunk sci-fi epic, its oppressive atmosphere, terrifying biomechanical monstrosities, and cosmic scale make it a perfect fit for horror manga fans.
The story follows Killy, a silent wanderer navigating a seemingly endless megastructure known only as The City. He’s on a cryptic quest to find a human with Net Terminal Genes, the only hope to regain control over the Netsphere, and stop the Safeguard, ruthless AI enforcers bent on exterminating humanity.
Yet Blame!’s plot takes a backseat to mood, world-building, and scale. Dialogue is minimal and story progression is fragmented. Blame! is a manga that relies almost entirely on visual storytelling, but that’s what makes it such a brilliant work.
What defines Blame! is its vast, inhuman architecture and the cold, alien logic of the machines that roam it. Nihei’s artwork is jaw-dropping. Every panel bursts with towering techno-ruins, mechanical horrors, and bizarre cyborg lifeforms. Often, Killy is nothing but a tiny dot in a sprawling, abandoned hellscape of steel and silence.
The horror in Blame! isn’t just loud and gory, it’s existential. It’s the terror of insignificance in an uncaring world. Its faceless machines, collapsed civilizations and violent encounters with things far beyond comprehension.
Yes, the story may feel opaque, the battles chaotic, and the ending cryptic. But none of that diminishes the experience. If you’re drawn to bleak, atmospheric, and visually stunning works with strong horror undertones, I can’t recommend Blame! enough.
I’ve written a full essay on Blame! where I go into detail about its themes, architecture, and why it’s my favorite manga of all time.
Berserk is one of the greatest manga ever created. A dark fantasy epic by the late Kentaro Miura, it blends grotesque horror, brutal violence, and mythic storytelling into something unforgettable. While technically not a horror manga, its disturbing imagery, overwhelming despair, and graphic violence earn it a firm place on this list.
The story follows Guts, the Black Swordsman, as he carves a path of revenge through a cursed world filled with monstrous Apostles and unimaginable cruelty. At the center of it all is his broken bond with Griffith, a once-heroic leader whose betrayal becomes one of the most horrifying moments in manga history.
What sets Berserk apart isn’t just the brutality, it’s the complexity. Guts and Griffith are two of the most iconic characters in the medium, their dynamic rich in symbolism, conflict and tragedy. The manga centers on such themes as fate, free will, trauma, and the monstrous nature of ambition.
But above all, Berserk is a visual masterpiece. Miura’s artwork stands among the best in manga history. From sweeping battlefields to the monstrous body horror-inspired designs of the Apostles, every page is breathtaking. Some two-page spreads could be hung in a museum.
The Golden Age arc alone, culminating in one of the most devastating climaxes in manga, is reason enough to call Berserk a masterpiece.
Following Miura’s passing in 2021, the manga is now faithfully continued by his close friend Kouji Mori and Studio Gaga. There is still hope that the story will one day reach its intended conclusion.
Berserk is dark, uncompromising, and emotionally shattering. For fans of horror, fantasy, or just great manga, it’s required reading, and a worthy pick for the number one spot on this list.
In Frankenstein, Junji Ito brings his distinct style to Mary Shelley’s classical novel, delivering an adaption that’s both faithful to the original and uniquely his own. Rather than merely retelling the story, Ito amplifies its gothic elements, fusing the narrative with his signature body horror and unsettling visual style.
Ito’s adaption of Frankenstein doesn’t stand out for introducing new plot points, but for the visceral and haunting visuals that breathe new life into a classic.
Plot Summary – The Monster Reborn
Ito’s adaption closely follows Shelley’s original narrative. Victor Frankenstein, driven by an obsession with creating life, assembles a creature from disembodied corpses.
Upon bringing his creation to life, Victor is horrified by the results and abandons it. The creature, yearning for companionship and understanding, faces relentless rejection from society, leading it onto a path of vengeance. The story culminates in a tragic confrontation between creator and creation, exploring themes of ambition, isolation and the consequences of playing god.
What Makes It So Good?
This adaption of Frankenstein stands apart from others because of Ito’s fantastic artwork.
One of the most striking aspects of his adaption is the depiction of Victor Frankenstein’s descent into madness. Through intense facial expressions and chaotic, claustrophobic scenes, Ito perfectly captures Victor’s unraveling psyche. His laboratory is shrouded in shadows, crammed with ominous machinery, and piles of dismembered body parts.
When we finally see the creature, Ito’s grotesque style shines. The creature is a towering figure of unnatural proportions and over-long limbs. Its body is nothing but a patchwork of rotting, stitched-together flesh covered in ragged bandages. Yet his expression, vacant eyes and a drooling mouth, is both terrifying and pitiable, making it a truly tragic abomination.
These visuals reach their peak when Victor’s forced to create a bride for the creature. In a moment both shocking and heartbreaking, he uses the head of a woman wrongfully executed for one of the creature’s misdeeds. Her reanimation is horrifying, her expression frozen in terror. When the two creatures fight, it’s one of the most grotesque and visually stunning scenes in the entire manga.
Deeper Themes – Obsession, Isolation and the Human Condition
While Ito’s adaption is visually intense, it doesn’t lose sight of the novel’s core themes. The story delves into the danger of unchecked ambition and the ethical implications of scientific exploration. The creature’s struggle for acceptance and the pain of isolation are portrayed with a rawness that resonates deeply.
The lines between humanity and monstrosity are blurred all throughout the work. The creature, despite its horrifying appearance, exhibits profound emotions and a desire for connection, making the reader wonder who the real monster is. This exploration of the human condition adds depth to the narrative, making it much more than just another Ito horror tale.
Final Verdict – A Haunting Visual Masterpiece
Junji Ito’s Frankenstein is a compelling fusion of classic literature and modern horror manga. His adaption stays true to the original narrative while enhancing its emotional and psychological depth through powerful visuals.
For fans of classic horror and Ito’s work, this adaption offers a fresh and chilling perspective of one of literature’s most timeless stories.
The Bully is one of Junji Ito’s most haunting stories. It’s not because of grotesque visuals or supernatural terrors, but how painfully realistic it is. It’s a tale that explores trauma, cruelty, and how it can warp a person’s psyche.
Plot Summary – A Childhood Haunting That Never Ends
Kuriko, a young woman, recounts a dark chapter from her childhood. She remembers meeting a timid young boy named Nao. At first she was drawn to him, but when he became attached to her, she grew annoyed. Before long, this annoyance turned to hatred, and she began to torment him. What started as light teasing soon escalated into relentless bullying.
Eventually, she runs into Nao again. He’s grown into a soft-spoken, kind man who shows no resentment for the past. The two of them get closer and marry. When their son is born, however, Nao suddenly disappears.
As her son grows, Kuriko sees Nao in him, and it triggers something terrible within her. The story ends in a chilling revelation, showing how far she’s regressed back into her old self.
What Makes It So Good?
The Bully isn’t horror in the traditional sense. Instead, it is psychological horror deeply rooted in the human condition.
The story escalates subtly. At first, Kuriko’s affectionate toward Nao, but over time, she exploits his dependency. That transformation is unsettling because it feels all too real. There’s no dramatic incident that pushes her. No, there’s only irritation, boredom, and eventually, a sadistic enjoyment. It’s cruelty, for cruelty’s sake.
Visually, The Bully features one of Ito’s most haunting final panels. We see an adult Kuriko who’s transformed back into her child self, now wearing the same clothes she did as a child, and her face contorted by that same grin full of twisted glee. It’s nothing short of horrifying.
Deeper Themes – Abuse and the Fractured Human Psyche
The Bully isn’t a tale about ghosts or murderers. It’s about how unresolved emotions like guilt, shame, and even buried enjoyment of cruelty can fester.
Kuriko becomes a perpetrator again, not because she was abused, but because something inside of her remained deeply broken. Her descent is a regression, a return to a time when she had full control over someone weaker, over someone who depended on her, and the twisted pleasure she took from exploiting that power.
Its haunting ending also poses another question: was Kuriko ever truly sorry? Or was her adult kindness, her regret, nothing but a mask she wore until she could cause harm again?
Final Verdict – A Masterpiece of Realistic Horror
The Bully is one of Junji Ito’s most grounded and realistic stories, and this is exactly what makes it so terrifying. It shows that cruelty needs no reason, how trauma can warp love into hatred, and how some people never truly change.
If you’re looking for one of Ito’s more realistic stories in which the monsters are entirely human, The Bully is a must-read.
Headless Statues is one of Junji Ito’s earlier works, first published in 1995, and later collected in Flesh-Colored Horror. Despite its age, it remains a standout piece, showcasing his mastery of grotesque imagery.
Plot Summary – When Art Imitates Life
The story follows Rumi, a high school student, her friend Shimada, and their art teacher, Mr. Okabe, who is known for his headless statues.
One evening, the three of them discuss his art, and Mr. Okabe shares the reason for his creations. Soon after, Rumi goes home, leaving the two of them behind.
The next day, Shimada isn’t feeling well and stays absent from school. Upon arriving there, Rumi learns that Mr. Okabe was brutally murdered and decapitated last night. When Shimada finally returns to school, something is off about him, and Rumi suspects that his increasingly strange behavior is related to the murder.
As Rumi investigates, she finally uncovers the horrifying truth. The headless statues have come to live, and now wander the old school building, wielding cleavers and seeking human heads to complete themselves.
The story builds to a nightmarish finale, in which a fleeing Rumi is eventually cornered by the statues. In the final panel, we witness her terrifying expression while the statues all clamor for her head.
What Makes It So Good?
Headless Statues is a slow-burn story that knows how to build dread. From an eccentric art teacher who’s obsessed with faceless art, to his sudden murder and Shimada’s strange behavior, we can tell something is wrong.
Once the horror finally hits, it’s pure Ito. Headless Statues stands out for its disturbing imagery and visual horror. The statues are hideously grotesque, smeared with blood, brandishing cleavers and bearing mismatched heads. One of the most disturbing images is a group of statues all grappling over a single head frozen in a perpetual scream, trying to make it their own.
Deeper Themes – Identity, Obsession and the Uncanny
While Headless Statues stands out for its disturbing visuals, there are still some deeper themes hidden below its surface.
At its core, it’s a story about the meaning of identity and what happens when it’s stripped away. Mr. Okabe claims that faces in art are meaningless, because they fail at capturing real emotions. Thus, he purposefully omits them from his work, claiming it gives his creations limitless possibilities.
Yet his statues think otherwise. After they come to live, they crave identity and a face of their own. Their quest to complete themselves might suggest that removing identity isn’t a blessing, but dehumanizing. Their creator’s artistic vision becomes a curse.
The story also heavily plays with the concept of the uncanny valley. The statues are objects that look almost human, but are distinctly not. Their missing faces make them into unsettling blank slates. They are nothing but distorted approximations. This becomes even more apparent once we see them move. They are nothing but stilted constructs, moving jittery and unnaturally.
Final Verdict – A Chilling Exploration of Artistic Hubris
Headless Statues stands as a testament to Junji Ito’s ability to craft deeply disturbing horror stories. It’s brutal and weird, a story in which art becomes monstrous.
If you enjoy Ito’s visually disturbing works, and haven’t read Headless Statues, I highly recommend it. It’s a must-read.
The Window Next Door is one of Junji Ito’s shortest works. It comprises only 16 pages and comes with an incredibly simple premise. Yet it remains one of his most memorable.
Thanks to one thing, and one thing alone: the neighbor’s face.
Plot Summary – A Grotesque Neighbor
Hiroshi and his family move into a new home. Right next to it stands an old, run-down building with just a single window. Incidentally, said window directly faces the one in Hiroshi’s bedroom.
The family soon learns that the house belongs to a reclusive woman who barely leaves her home. Yet at night, Hiroshi begins hearing strange whispers. When he approaches the window, he finally catches a glimpse of the strange woman, and her appearance is nothing short of terrifying, monstrous even.
As the nights go on, she tries to get closer. First by calling out to Hiroshi, then by using a pole to cross the distance between the windows. When neither of those works, the story turns surreal. The wall itself stretches over toward Hiroshi, who ends the story by lamenting that the window next door is coming for him.
What Makes The Window Next Door So Good?
On paper, it’s an incredibly minimal story. A family moves into a new house, a creepy neighbor is introduced, and we bear witness to her increasingly strange behavior. Many would call the story forgettable or anticlimactic, if not for that one image.
It’s the neighbor’s face that makes the story so memorable. It’s a masterclass in surreal body horror. Her eyes are narrow, her lips dry and barely there. When she notices Hiroshi, she opens a drooling mouth filled with protruding, jagged, and mismatched teeth. Even her hands, framing the face, look unnatural, feeling overly large and bony. This woman is not just unsettling. She’s an abomination.
Even more interesting, the horror just works. We never learn who the woman is, and why she looks or acts the way she does. No, all we get is her face, and this is more than enough to make the story stick.
Paired with the short, escalating sequence of events, the tension never drags. Every night, the woman comes closer. Thus, the story does exactly what it needs to do.
Deeper Themes – Stalking, Grooming and Vulnerability
On a deeper level, The Window Next Door, is about more than just a creepy face.
It’s a story about stalking, of someone trying to invade your private life, and forcing a connection. The woman isn’t simply watching Hiroshi, she’s trying to get to him, and night after night, she comes closer.
And where does it all happen? In Hiroshi’s bedroom, the one place he should feel safe. When does she do it? During the night, when he’s sleeping and at his most vulnerable. This is a hallmark of violated privacy, but also grooming, given that our protagonist is still a teenager.
The story also touches on another of Ito’s familiar themes: dismissive parents. Hiroshi tries to explain what’s happening, but his parents brush it off as nothing but a dream, and after a short change of rooms, leave him to face the growing horror all by himself. This is a theme that echoes throughout horror media involving adolescent protagonists: the adult world cannot protect you.
Final Verdict – Short, Simple, and Horrifying
The Window Next Door is proof that you don’t need a long, sprawling backstory to terrify readers. Sometimes a single panel, a single face, is more than enough.
That face went on to become one of Ito’s most iconic creations, and it even inspired one of my own stories: The Disappearing Alley.
The Window Next Door might be short; it might be simple, but it’s unforgettable.
My Dear Ancestors is one of Junji Ito’s most bizarre and grotesque short stories. While it stands out for its body horror and disturbing imagery, the story conceals much deeper themes.
It’s a tale about the nature of memory, of tradition and the suffocating burden of family expectations.
Plot Overview – A Bizarre Family Secret
Risa, a young woman, is suffering from temporary amnesia and plagued from reoccurring nightmares of a giant, caterpillar-like creature. Her boyfriend, Shuichi, takes her to his family home, hoping it will help her recover.
There, she meets Shuichi’s father. The old man, however, doesn’t step into the room, but enters it unnaturally crawling like some sort of crab. From that moment on, the story takes a turn toward complete madness.
As Risa’s memories return, she recalls a horrifying truth. Shuichi’s father has a chain of human skulls stuck to the top of his head. They are the remains of his ancestors, fused to him and allowing them to live on.
This monstrous form is the source of Risa’s nightmare, and the trauma of seeing something this surreal forced her mind to block it out. Even worse, not only is Shuichi’s father dying, but Shuichi himself is next in line. Thus, he’s commanded by his ancestors to bring Risa into the family, to bear a child and to continue the line. No matter the cost.
At first glance, the story appears nothing but a surreal nightmare. The creature design is fantastic. The stacked skulls give the appearance of a segmented worm and are amongst Ito’s most visually unsettling images. Another is the movements of both Shuichi and his father. They are uncanny, twisted, and showcase Ito’s prime inspiration for the story: The Exorcist.
Yet it’s the psychological impact that gives the story depth. Risa’s amnesia isn’t just a random plot device. It’s a clear reflection of the trauma she suffered.
There’s also the realization that Shuichi himself is complicit. At first, he appears caring, but it’s revealed that he’s long accepted the family tradition. Risa’s role is now nothing but a vessel to continue it. Even worse, when Risa breaks down under the sheer weight of the horror, not only the ancestors, but even Shuichi himself rejoices.
This reveals the story’s true horror. It’s not about the grotesque stack of skulls, neither the uncanny crab-walk, but the crushing weight of family pressure.
Deeper Themes – Memory, Tradition, and the Loss of Autonomy
Risa’s amnesia, as mentioned before, represents the brain’s instinct to protect itself. Seeing something too horrific to comprehend can twist our mind and force us to bury our memories. Yet they sometimes resurface, taking on different shapes and haunting us like nightmares. In Risa’s case, her nightmares can almost be seen as warnings of something unnatural coming for her.
The literal chain of ancestors is a grotesque metaphor for intergenerational pressure. Shuichi isn’t allowed to live his own life. Instead, he’s expected to continue the family line. Love is conditional. He’s only allowed to marry Risa if she agrees to bear a child. It shows that the only thing that matters is continuing the family line.
When Risa’s mind finally breaks, the ancestors are delighted. Her will, her wishes and dreams, none of them matter. Now she’s compliant. This moment can be interpreted as a chilling critique of how traditional and patriarchal societies have historically viewed women. They weren’t seen as people with agency, and only tools to bear children and continue the family line. Which is a problem that’s still prevalent in Japanese society, amongst others, even today.
Whether Ito meant it as a direct social commentary or not, the horror still resonates because it reflects something real.
Final Verdict – Bizarre, Grotesque, and Emotionally Devastating
My Dear Ancestors is one of Junji Ito’s most visually disturbing stories, but also one of his most layered. While its body horror is front and center, it’s also about how deeply tradition can influence our own identity.
By the end, what horrifies us the most is not the monstrous family, but Risa’s fate. She’s broken, her agency gone and her future sealed. And the worst part? Everyone around her is celebrating it.
If you enjoy horror stories that combine surreal horror with disturbing metaphors, My Dear Ancestors is a must-read.
Junji Ito’s The Thing That Drifted Ashore is a short, simple, but also deeply disturbing story. It’s less about what happens, and more about what it suggests.
While the most memorable part is its visual centerpiece, the sea creature washed ashore, the true horror of the tale goes much deeper. It’s about survival, identity and horrors of the deep sea.
Plot Overview – A Monstrous Discovery
The story opens after a massive sea creature washes ashore. Yet something’s different. It’s not a whale or other known marine animal, but something far different and alien. Soon enough a crowd of people gathers. Some are there out of curiosity, others to identify the unknown creature. Amongst them is a young man, terrified of sea creatures, and a young woman named Mie, who lost her fiancé in a shipwreck seven years ago.
While the scientists examine the creature, they notice something strange. Certain parts of the creature’s skin are translucent, and behind it, human faces can be seen.
At first, it’s presumed they are the creature’s victims, but it’s soon discovered that they are still alive. Yet when the creature’s body is cut open, there’s an even more horrifying revelation: the people inside are still alive. They are the shipwrecked who survived by becoming parasites. When they finally break free, however, they are no longer sane, but entirely broken.
It’s one of Ito’s most minimalistic stories, but also one of his most haunting. The narrative is straightforward, yet every detail builds towards its final, horrifying revelation.
The creature itself is a masterpiece of grotesque design. It’s gigantic, serpentine, and utterly alien. Its head comprises nothing but tumorous growth and tendrils, making it look more like a deranged nightmare than any known species. The scientists speculate that it’s a prehistoric lifeform, something much older than man. All that’s clear, however, is just how little we know about the depths of the ocean.
The horror deepens at the idea of people surviving as parasites, adapting and transforming while inside an alien organism. They survived, but at what cost?
The story’s most haunting element, comes from the young man who fears sea creatures. His fear is validated in the worst possible way. If the creature’s skin is translucent, and the people survived behind it for seven years, then what exactly did they see down there? Was it really living on as parasites that drove them mad, or was it something else?
This gives us the story’s final implication. While the creature that drifted ashore is nightmarish, there might be things out there that are much, much more horrifying.
Deeper Themes – Survival, Transformation, and the Abyss
The core question of the story is what it means to live inside another being. The thought is horrifying. For the people inside this story, survival comes at the cost of transformation and losing one’s humanity. As a result, their minds are broken, their identities warped, and they ultimately end up as insane.
The story also toys with our fear of the unknown, specifically the depths of the ocean. First, by the appearance of the grotesque creature that washed ashore. Then, by the idea of humans being forced to become parasites. And lastly, the implication that there are much worse horrors down in the depths of the ocean. This last part is the real horror of the story. We just don’t know, and that’s what makes the story’s terror linger.
The Thing That Washed Ashore also touches on the theme of voyeurism, spectacle and indifference. People flood to the beach to take in the view of the strange creature, almost as if it’s an attraction. None of them care about the creature itself, drawing sharp parallels to people gawking at beached whales. People don’t care about suffering, all they care about is spectacle.
Final Verdict – Quiet, Simple, and Cosmic
The Thing That Drifted Ashore might be one of Ito’s simpler stories, but it’s still quite a piece. It’s not a story that relies on scares or gore, but on the final revelation and its implications.
It’s a story about the cost of survival, how it can warp people, and the horrors that lie below the surface.
Junji Ito’s The Licking Woman is remembered for one thing and one thing alone, the image of a grotesquely bloated tongue stretching from an unnaturally warped face. It’s an image that’s frequently shared online for how absurd and visceral it is.
The story itself, however, has much more to offer than this single panel. Below its surface lies a disturbing tale of bodily invasion, trauma and the horror of losing your own agency.
Plot Overview – A Deathly Lick
The story begins with Miku’s fiancé, Tsuyoshi. On his way home, he’s licked by a strange woman. At first, he laughs it off, but shortly after, he falls ill and eventually dies. At the hospital, a toxic substance is found in his bloodstream.
Before long, reports of more victims surface, and the story of a mysterious ‘Licking Woman’ begins spreading. A grief-stricken Miku joins the local neighborhood watch and manages to subdue the woman. The Licking Woman is hospitalized, but no toxins are found on her tongue.
Years later, Miku meets a woman named Nagaoka, who claims to have been another victim of the Licking Woman. When they learn of the Licking Woman’s release, they form a plan to kill her using potassium cyanide.
When new cases surface, Miku confronts the Licking Woman once more. As the story draws to a close, however, it takes an unexpected turn. It’s not only revealed that Nagaoka might have been the Licking Woman, but that her tongue might have had its own agency. Even worse, Miku, who thought she’d left it all behind, eventually succumbs to the same horror when a giant, bloated and poisonous tongue barges from her mouth.
The Licking Woman is one of Ito’s shorter tales, but it’s amongst his most iconic and uniquely unsettling. It begins with an almost laughable premise, a woman licking random strangers, but it soon turns terrifying.
The visuals are stunning, and once again showcase Ito’s mastery of the craft. We witness a disgustingly swollen tongue that’s both wet and entirely alien. The Licking Woman’s face is distorted, her eyes both wild and lifeless at the same time.
Yet it’s not just the visuals that make this story a stand out, it’s the ambiguity. What exactly is the tongue? Is it a parasite? A disease? We never truly find out, and as so often, this ambiguity is the real genius of the story. There’s also Nagaoka. We have to wonder, how much was she the Licking Woman, and how much was she controlled by something else? When the tongue vanishes after Nagaoka’s death, and later bursts from Miku’s mouth, we’re left with more questions than answers.
That’s why the story lingers. It’s not just disgusting or disturbing, but deeply unsettling.
Deeper Themes – Bodily Invasion, Trauma and Parasitic Horror
At its most literal, The Licking Woman is a tale about the horror of unwanted physical content. Being licked by a stranger isn’t merely unsettling, it’s disgusting and a clear violation of personal boundaries.
Normally, licking is associated with affection and intimacy, but here it’s invasive, predatory and eventually fatal. Even worse, it touches on our fear of disease transmission and contamination.
The story also heavily plays into psychological trauma and the shattering of intimacy. Those who survive the Licking Woman’s attack are never the same. They develop an aversion to being licked by pets, and even being kissed or touched by loved ones. It shows how trauma reshapes not only our body but also our mind.
The tongue is the story’s most interesting element. If it truly is a sentient organism with a life of its own, it gives the story yet another layer. This change The Licking Woman from a tale about a human-shaped monster, to one of parasitic horror.
The tongue distorts and warps its host, takes control and drives it to do abhorrent things. Seen through that lens, Nagaoka’s plan of killing the Licking Woman could be interpreted as her fighting her own parasitic infection. It’s her wish to free herself from the other that lingers inside her body, ready to break free at any moment and take control of her.
Final Verdict – Grotesque, Uncomfortable and Visually Stunning
The Licking Woman is a deeply unsettling story. Its imagery is unforgettable, but so is the intimacy of its horror. It’s not merely a tale of bodily invasion and its dire consequences, but one of parasitic horror and being controlled against your own will.
If you’re looking for a short, but deeply disturbing Junji Ito story, The Licking woman is an essential read.
